Sentences with phrase «photographic emulsion»
A photographic emulsion refers to a light-sensitive layer that is applied to photographic film or paper. It's made up of tiny crystals of light-sensitive silver halide suspended in a gelatin solution. When light hits the emulsion, the silver halide crystals react and capture the image, forming a photograph. So, essentially, a photographic emulsion is the layer that helps create photos by reacting to light. Full definition
He painstakingly amplifies the physical aspects of photographic emulsion, printed texts, printed colour plates and maps.
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Cyanine dyes are used in photographic emulsions to make film sensitive to a greater range of wavelengths of light.
Lucas Knipscher Untitled 2013 Ikat fabric and photographic emulsion on canvas 2 panels: 30 x 40 inches each (76.2 x 101.3 x 2.5 cm) ARG # KNL2013 - 002
The inclusion of experimental films and photographs as well as 96 volumes of previously unexhibited sketchbooks underscored the idea of Ohtake as a restless observer of the world around him while also elaborating upon the metaphoric connection the artist has previously described between his approach to art and the photographic process, exemplified in the abstract «Retina» series of mixed - media «paintings» from the early 1990s, made using photographic emulsions.
After a graphite rubbing of a paving stone is made photographic emulsion is applied to both sides of a piece of paper and the rubbing is used as a negative to make a photographic (contact) print.
Each plate was a 14 - inch square of glass with photographic emulsion painted on the back.
Early photographic emulsions were not equally sensitive to all parts of the light spectrum, and thus a negative that was properly exposed for the landscape left the sky overexposed and splotchy.
For example, there is the evocative imagery that can result from Maine's own process of stamping carpet textures onto canvas; or the «acrylic, stains, and spray paint on wood panel» by Jaq Chartier that somehow come to resemble photographic emulsion; or the acrylics on canvas by Thomas Pihl of subtly gradated color that seem like translucent screens of light.
Large glass plates covered in photographic emulsion were used to record the images.
Lucas Knipscher Untitled 2013 Ikat fabric and photographic emulsion on dibond 40 x 24 x 7 inches (101.6 x 61 x 17.8 cm) ARG # KNL2013 - 005
The second device for recording nuclear events is the photographic emulsion.
It is thus impossible for every receptor cell to send a separate message to the brain, and the concept that the array of receptor cells is equivalent to the grain of a photographic emulsion must be abandoned.»
The particles are much smaller than those in a photographic emulsion; there are some eight million billion of them in a cubic centimeter of the glass.
Here the antiproton and a proton or neutron from an ordinary nucleus, presumably that of a silver or bromine atom in the photographic emulsion, would die simultaneously.
They are detected by their photochemical action in photographic emulsions or by their ability to ionize gas atoms.
«A tin type is a photograph created as a direct positive onto a thin sheet of tin which has been coated with enamel to support a photographic emulsion.»
Other precursors on display include August Strindberg's photographic emulsions and Eugene Von Bruenchenhein's largely forgotten transition between outsider art and Abstract Expressionism.
John Baldessari, Wrong, 1967, photographic emulsion and acrylic paint on canvas, 149.9 x 114.3 cm, Los Angeles County Museum of Art, Modern and Contemporary Art Council, Young Talent Purchase Award, M. 71.40, © John Baldessari, photo courtesy of Museum Associates / LACMA
Aluminium sheet, methacrylate, canvas and photographic emulsion, 261 × 182 × 134 cm.
The silver gelatin of the photographic emulsion echoes the graphite used to describe the original impression of the pavement and provides an elegant reflection on photography's dependence on silver's alchemic properties.
The abstracted human shape of Flat man / J» en ai assez je dis oui (2015), is formed by the outline of a photographic emulsion of three men posed as one.
Other works of note in the exhibition include the photographic emulsion on canvas entitled «Different Strokes» (1970) a photo - painting hybrid of nude bodies in various stages of sexual intercourse, and the film transparency «Kodak Safety Film / Figure Horizon» (1971) in which Heinecken cut and reassembled varying parts of a female nude to make a landscape.
Elfman grew the plant from seed and photographed a group of marble statues and plaster casts, using the plant's juice as a photographic emulsion to produce a series of amaranth on paper prints.