Sentences with word «pochoir»

Helen Frankenthaler Free Wheeling (H. 31) etching with pochoir in colors, 1971, on German Copperplate, signed and dated in pencil, numbered 14/21 (there were also 2 artist's proofs), with the ULAE blindstamp, with full margins, a few soft creases in the margins, otherwise apparently in good condition, not examined out of the frame, framed I. 32 x 23 in.

Henri Matisse Jazz, 1947 Twenty pochoirs printed in colors Each sheet approximately: 16 3/4 x 25 1/2 inches Edition of 250

Color pochoir on Arches Imperial Rough watercolor.

Color lithograph with pochoir, Edition 30 Roberto Juarez has been an important figure in the American art scene since his first solo exhibition at Robert Miller Gallery in 1981.

Current exhibitions are Fashioning the Modern French Interior: Pochoir Portfolios in the 1920s, Agitated Images: John Heartfield & German Photomontage, 1920 - 1938, and (Lo & Behold)(Mira & Ve)(site - specific artwork by Lawrence Weiner).

Exclusive works from this collection include his pieces in pochoir which were created by hand coloring stencils with watercolor and gauche paint.

The snapshots pale next to several rarely seen but stunning Synthetic Cubist pochoir prints that Picasso prepared about 1920.

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

In addition, the collection includes thirteen rare William H. Johnson pochoirs of American genre scenes, executed in the early 1940s.

Helen Frankenthaler 1928 — 2011 Green Likes Mauve 1970 Pochoir printed colors on Arches paper 22 h x 31.75 w inches Signed, numbered and dated to the lower right «Frankenthaler 9/50 11/16/70».

Helen Frankenthaler What Red Lines Can Do: Wind Directions 1970 Pochoir in colors, on Arches Imperial Rough watercolor paper, the full sheet, S. 30 3/4 x 22 in.

Touring from The Center for Book Arts, the exhibition focuses on how the art of cutting: pochoir (stenciling), relief printing, paper cutting, and other related techniques are used to convey content, form, text, and image.

As the director of the Brooklyn studio Pace Paper, Lingen works closely with artists of Pace Prints on papermaking, letterpress and artists» books; Melby works in intaglio and publishes through Jennifer Melby Editions; and Miller's Grenfell Press publishes artists» books and prints in woodcut, linocut and pochoir.

Lot 44, «On a John Brown Flight,» circa 1942 - 45 (color pochoir and screenprint on cream wove paper) by William H. Johnson.

• Two Art Deco Fans Designed for House of Paquin (Paris, 1891 - 1956), 1911 — Paul Iribe (French, 1883 - 1935), Fan L'Orientale, silk, pochoir (stenciled) image, metal - foil paper, galalite (synthetic plastic), ebony, gilded brass, with original box, 9 x 9 x 1/2».

-- George Barbier (French, 1882 - 1932), Fan, parchment, pochoir (stenciled) image, galalite (synthetic plastic), paint, metal - foil gold paper, silk, metal, 9-13/16 x 13 x 3/4».

$ 118,750 C 24 Johnson, Jitterbugs II, color screenprint and pochoir, circa 1941.

$ 209,000 I 25 * William H. Johnson, Jitterbugs III, color screenprint and pochoir, circa 1941.

One of the most ambitious of Frankenthaler's prints is the triptych Book of Clouds (2007) that involved a combination of several printing techniques, employing Ukiyo - e style woodcut, aquatint, and pochoir.

Wangechi Mutu, The Original Nine Daughters (2012), series of nine etching, relief, letterpress, digital printing, collage, pochoir, hand coloring and handmade carborundum appliques, image 15 x 7 inches each, sheet 19 x 10 inches each.

This print is multi-layered with different mediums including etching with aquatint, pochoir and paint.

The 12 works on exhibit, created between 2003 and 2015, all adopt the same format: large, shallow, steel - framed glass boxes holding different arrangements of found objects and two - dimensional works — mostly lithographs but also paint on paper and pochoir on sandpaper.

Barnaby Furnas, «Abraham Lincoln» (2014), Monotype, collagraph, aquatint etching, pochoir and hand - coloring, 38 x 29», Ed.

His most recent prints with Pace Editions were composed of nearly 100 elements printed on various papers, using an impressive range of printmaking techniques from aquatint to pochoir.

HELEN FRANKENTHALER (B. 1928) Orange Downpour, from Four Pochoirs (Harrrison 27) pochoir printed with color acrylic, 1970, on Arches Imperial Rough, signed in pencil and dated» 9/30/70», numbered 3/50 (there were also 7 artist's proofs), published by Abrams Original Editions, the full sheet, in apparently excellent condition, not examined out of the frame, framed S. 29 3/4 x 21 3/4 in.

HELEN FRANKENTHALER (B. 1928) Sanguine Mood (Harrison 33) pochoir and screenprint in colors, 1971, on J.B. Green Hayle Mill English handmade paper, signed and dated in pencil, numbered 2/75 (there were also 5 artist's proofs), published by the Women's Board Commission, San Francisco Museum of Art, the full sheet, in excellent condition, framed S. 22 3/4 x 18 in.

HELEN FRANKENTHALER (american b. 1928) «ORANGE DOWNPOUR» from «four pochoirs» 1970, signed and dated in pencil, numbered 15/50 (there were also 7 artist's proofs in Roman numerals), the full sheet; Abrams Original Editions, New York, publisher.

HELEN FRANKENTHALER (1928 - 2011) Tales of Genji VI, from Tales of Genji woodcut and pochoir in colors, 1998, on TGL handmade paper, signed in pencil, numbered 10/35 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, in very good condition, framed Sheet: 47 x 42 in.

Helen Frankenthaler Orange Downpour (Four Pochoirs portfolio) 1970 4 - color pochoir on white Arches Imperial Rough watercolor paper # 1 of 50 Published by Abrams Original Editions, New York; printed by the artist and Maurel Studios, New York Signed and dated in pencil lower right; edition lower left Image / sheet: 30.625» x 21.75»; Frame: 34.875» x 26.625»

Lot 163 Richard Hamilton Fashion - plate (L. 76) offset lithograph, screenprint and pochoir in colours with collage, retouched with cosmetics by the artist, 1969 - 70, on Fabriano wove paper, dedicated Ernie's proof from Richard, one of seven artist's proofs aside from the edition of 70, published by Professional Prints A.G., Zug (Petersburg Press S.A.), the full sheet, occasional pale foxing mainly in the lower and upper margins, otherwise in very good conditionI.

Barnaby Furnas, «Abraham Lincoln,» monotype, collagraph, aquatint etching, pochoir and hand - coloring, 38» x 29», 2014.

Hamilton then built up collage elements and stencilling (pochoir) using actual cosmetics.

Pochoir was done by the artist (with the assistance of Ernie Donagh) in his own studio; finally Hamilton added handmade marks in cosmetics.

HELEN FRANKENTHALER A Page from a Book: Plate III etching with aquatint and pochoir in colors, 1997, on TGL handmade, signed in pencil, numbered «AP 13/16» (the edition was 60), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, small rubbed areas on and below the signature, hinged to the support in places at the reverse of the margin edges, otherwise in very good condition, framed P. 4 13/16 x 21 1/2 in.