Sentences with phrase «remix culture»
"Remix culture" refers to a creative and collaborative process where people take existing materials, such as music, videos, images, or ideas, and transform or combine them to make something new. It involves repurposing and rearranging elements from various sources to create unique and original works. It celebrates the idea that creativity can be built upon previous works, allowing for innovation and artistic expression to flourish. Full definition
As one of the few characters in popular culture who embody the problem with no name, Betty's flaws illustrated in the remix
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Using the excess fabrics from this work, Alloro developed Big Screen (Remix), drawing parallels between digital remix culture and the craft of quilting, both of which traditionally involved collaborative practices as well as found materials.
Anticipating today's remix culture by a few decades, I'd say!
by Bryant Frazer One of the hallmarks of contemporary remix culture is derivative artistic ventures that seek shortcuts to the id, making a playful, self - aware succotash of genre tropes in lieu of inventing new cosmologies.
Gotye illustrated the post-modern remix culture so beautifully in this amazing project.
By 2008, in his book Remix, Lawrence Lessig speculated on how to reconcile a flourishing online remix culture — where user - generated content on participatory platforms collapsed traditional boundaries between producers, users and consumers — with the values of the copyright system and business.
, drawing parallels between digital remix culture and the craft of quilting, both of which traditionally involved collaborative practices as well as found materials.
Educators and learners are already part of a sharing and remix culture.
«Licensing creative works under CC 4.0 makes total sense in today's remixing culture.»
The new Bubsy made statements on art, remix culture, and the cult of art personalities, but above all made its own rules and let the world know in the funniest way possible.
Image Transfer: Pictures in a Remix Culture is a traveling exhibition co-organized by the Henry Art Gallery, Seattle, and Independent Curators International (ICI), New York, and circulated by ICI.
Inspired as much by high art — Abstract Expressionism and Conceptualism — as by jazz, sports, comics, remix culture and graffiti, Basquiat translated the world around him into a provocative visual language.
Her work has been included in New Photography at The Museum of Modern Art (2010); Image Transfer: Pictures in a Remix Culture at the Henry Art Gallery (2010); and was the subject of a solo exhibition at the Pomona College Museum of Art titled Amanda Ross - Ho: The Cheshire Cat Principle (2010).
The scenario is a good example of the new legal issues that «remix culture» have created.
Since its inception in 2008, the project is involved with contemporary issues like the changing perception of authorship, de - and recontextualization of images, appropriation, artistic approaches to photographic archives and the rise of the remix culture.
But Hank Willis Thomas, one of the artists taking part in the debate, said that the recycle and remix culture was gaining speed so rapidly that trying to bring order to it was, even now, like trying to hit a moving target.
Krajewski was curator at the Henry Art Gallery, Seattle from 2004 — 2012 where she focused on solo artist projects (Matthew Buckingham, Andrew Dadson, Jeffry Mitchell, Walid Raad, among others) and group exhibitions exploring photography's impact on visual culture (Image Transfer: Pictures in a Remix Culture and Viewfinder).
According to the museum, the artist was «inspired as much by high art — Abstract Expressionism and Conceptualism — as by jazz, sports, comics, remix culture and graffiti, Basquiat translated the world around him into a provocative visual language.»
It speaks to the popularity of Star Wars, sure, but also to the complexities of the remix culture, fanfiction, and how the internet affects pop culture, Star Wars and otherwise.