The publisher has little or no incremental out of pocket cost to create ebooks, therefore the income should be split in the same manner
as subsidiary rights, which is generally 50/50.
Any traditionally - published author will be earning different royalty rates for different types of book sales and
subsidiary rights sales so the numbers won't be nearly as tidy as the ones above.
With several
subsidiary rights at stake and money associated with them, you need someone who has the expertise and knowledge in translating the book contract for you.
But we have 15 editors, 12 marketing and publicity people, sales people, IT people, contracts and
subsidiary rights people, accounting, etc.....
When it comes in, the income from
subsidiary rights deals is usually split 50/50 between the publisher and the author.
Authors could make more money by exercising as
many subsidiary rights as possible for each book, especially the audio rights.
The second item on my list is tracing randomly selected royalty income items (
subsidiary rights income receipts) from the general ledger rights income account to a royalty statement.
This is another area where independent authors struggle in relation to their traditional counterparts, most of whom have teams of people dedicated to
pursuing subsidiary rights for their list.
We have the resources and accumulated knowledge to assist clients in all aspects of their creative lives including editorial input, contract negotiations, and
subsidiary rights management.
Please contact us directly for other languages and territories as well as performance, multimedia, merchandise, licensing, and any other
subsidiary rights inquiries.
In some cases a
particular subsidiary right for a given book won't be likely to produce much income, but that doesn't mean it can't be put to another use.
The matter is complicated, and you may want to
reserve subsidiary rights until you get an agent, or have some experience of working with the publisher.
Rights software helps your
market subsidiary rights to other companies and collect inbound rights income due to your company.
All the people who are looking for any type of information on director
of subsidiary rights will get a lot of help from the information given below.
This will allow you to focus on writing and promoting your book, while knowing you have top - notch representation managing your audio, foreign and
other subsidiary rights.
I think they play a valuable role in reviewing contracts and
managing subsidiary rights (film and foreign, for example) for traditionally published authors.
Indeed, a real focus in recent months, as part of the agency's mission to develop as many revenue streams as possible for authors, has been to exploit unsold territorial and
subsidiary rights in agency books and seek reversion when publishers are not exploiting those rights themselves.
To send a written inquiry, check the spine or copyright page to determine the imprint that published the book then address your request to the appropriate
subsidiary rights department:
Susan F. Schulman specializes in representing foreign rights, motion picture, television and allied rights, live stage including commercial theater, opera and dance adaptations, new media rights including e-book and digital applications, and other
subsidiary rights on behalf of North American publishers and literary agents.
Thus, the director of
subsidiary rights resume objective should depict the capabilities of an individual profusely so that the recruiters could identify the noteworthy traits of the candidate.
Examples of
subsidiary rights include translations, film adaptations, serializations, audiobook adaptations, and merchandising.
For the American book publishing industry, the Frankfurt Book Fair is predominantly a trade fair, that is, a professional meeting place for publishers, editors, librarians, book
subsidiary rights managers, publishers international sales representatives, booksellers, agents, film, television and video game producers, publishing technology experts, authors and many others who are involved in the creation and sale of books and the licensing of book content in all its many forms.
Literary agencies often work with other agents to help them sell
subsidiary rights such as movie rights or foreign editions.
Patricia Moosbrugger is a literary agent and
subsidiary rights specialist who co-founded BlueInk Review with Patti Thorn, former books editor of Denver's Rocky Mountain News.
'' For information on licensing the right to produce audiobooks of your manuscript, see our
article Subsidiary Rights for Indie Authors.
The Alliance of Independent Authors (ALLi) and the agency Toby Mundy Associates (TMA) have come together to create a
unique subsidiary rights service for independent («self - published»)...