Sentences with phrase «to view the painting»

"To view the painting" means to look at and observe the artwork, usually in a museum or gallery setting. Full definition
While there is a tendency to more easily dismiss it, I don't really view painting as any different than any other medium in terms of validity in contemporary art.
The experience of viewing these paintings might remind us of a filmed sequence in which a camera slowly closes in on an image of a head.
He depicts a singular figure in shadows, which can only be seen when viewing the painting from a far.
But while his description introduces an essential shift by insisting on the process of creation as an important element to be taken into account when viewing a painting, it is not precise enough.
In the paintings from the series, you will see the same view painted at different times of the day and in different weather circumstances.
Last week's most viewed paint project was this gorgeous metallic table from For the Love of Decorating.
[laughs] So as a last thing, I'm kind of curious — we talked about having the people who view your paintings being open - minded, hopefully.
Her influential work questions the parameters and possibilities for making and viewing a painting today.
To best view this painting online please set your display to about 80 % brightness.
There is also the opportunity to view the paintings very closely or from across the room, comparing their visual effects.
Further clarification of the meaning of currency and culture is seen by viewing her paintings individually, or together during an exhibit.
Remember to view the paints horizontally on walls rather than vertically — paint a large piece of paper or thin cardboard and move around the room to view in various positions.
However, knowing such details lends little to the experience of viewing the paintings, which are very nicely done.
When viewing her paintings the viewer must give herself over to the possibility of the impossible.
Like the so - called Bay Area Figuration of Richard Diebenkorn and Elmer Bischoff, Sheehan's pictures discover abstract formal values in views painted from observation.
IN AN ERA WHEN COUNTLESS ARTISTS are creating untitled abstract and conceptual work, there is a certain satisfaction in viewing paintings by artists who not only remain fixated on figures, but also relish the art of naming their canvases.
Kessler add that the viewing digital restorations «isn't the same as viewing paint on canvas.
Upon first viewing the paintings the animals don't appear as mutated creatures or monstrous as you might expect.
In the juxtaposition of some of the artist's most important works — including rarely viewed paintings from private collections — her maturation and the evolution of her nuanced, much - celebrated sense of color are clearly in focus.
For me, this is the most exquisite environment for viewing paintings in the state of Colorado.
Schwartz views painting as a way of making sense, a way of making -LSB-...]
Also view paintings by Dan Namingha in our inventory, along with a great video on the artist by PBS New Mexico:
Upon viewing the paintings at a closer distance, the images begin to transform; the detail starts to appear and the material and form, along with the process, completely changes to give way to the realisation that the paintings are in fact knitted pieces layered together to form an abstract painting, using wool to replicate the process of paint.
Kelsey describes the experience of viewing painting within the framework of an information and image saturated age, drawing comparison to the constant feed of information one experiences through vehicles like social media.
Viewing these paintings feels similar to watching time - lapse film of rotting fruit or tidal erosion - you can't help but wonder and worry what will become of these landscapes in flux.
Check out the most viewed paint project from last week... this amazing faux copper topped table from The Interior Frugalista!
When viewing the paintings freely, the children focused first on the stand - out, «salient» features of the paintings, indicating bottom - up processing.
(You can view my paint color picks for gray kitchens here).
Reinhardt viewed paintings that resisted relocation as analogous to his own infinitesimally differentiated surfaces, in that both aspired to thwart the easy consumption of mass culture.
Richard views painting as an honest craft that requires study, hard - work and commitment.
Just as we would view a painted representation of objects within the known world, such as a still life or a face, we anticipate its form, its feel and its purpose, and that has a strong influence how we look and what we see.
Kindred with the Abstract Expressionists and an advocate of pure abstraction, Martin viewed her paintings as a pursuit of perfection, seeking to imbue every work with a sense of joy and beauty.
Inspired by poetry, particularly by their contemporaries of the Beat generation, Gechtoff, Kelly, and their peers viewed painting as the visual component of literature, yet unlike their New York counterparts, emphasized this duality through allusions to distant figuration, swirling motifs, spiritual encounters, and visual representations of verbal expression in their paintings.
An idyllic painting by Sir William Nicholson from 1917 of a patchwork of English fields from on high at first resonates with contemporary artist Carol Rhodes's aerial view painting Airport, until the viewer notices the urbanisation in the later work.
The conventions of two - dimensional representation were undone by painters who no longer viewed painting as a domain to «reproduce, re-design, analyze, or «express,»» instead regarding it as an «arena in which to act.»
In Richard Prince's work, for example, this fast take can be read as a deliberate strategy to reveal the problematic nature of viewing painting under the deadening realities of contemporary capitalism — a realization that supposedly prompts further thought.
The exhibition included a group of 20 Italian sketches and small finished view paintings by Camille Corot.
Only one work shone out of the blur — Florine Stettheimer's masterpiece, Asbury Park South from 1920 (a painting scandalously deaccessioned by Fisk University in 2012) in a group exhibition organized by Jeffrey Deitch that orbited and created a lot of visual noise around it in a manner both consistent with Stettheimer's aesthetic of excess and disruptive of the ability to properly view her painting.
And in viewing the painting Cerberus I start to think that the central white shape might resemble a head of the dreaded creature, and then to wonder what might be guarded, i.e prevented from getting out of the painting into the external world, or vice versa.
Owens emerged on the Los Angeles art scene during the mid-nineties, at a time when many in the critical establishment viewed painting with suspicion.
When the paintings were first shown by André Emmerich in 1965, the critic Phyllis Tuchman recalls, visitors were invited to climb the stairs to Held's nearby studio to view a painting too large even for Emmerich's spacious Fuller Building gallery.
Featuring key loans from Tate's Pre-Raphaelite collection, including Sir John Everett Millais's Mariana (1851), Dante Gabriel Rossetti's The Girlhood of Mary Virgin (1848 — 9), William Holman Hunt's The Awakening Conscience (1853), and William Morris's La Belle Iseult (1858), the only completed easel painting he produced, this landmark exhibition provides a unique opportunity to view these paintings next to the work that inspired them.
I love viewing the paintings and other forms of artwork, and considering how the artists» life influences and inspirations may have shaped the results.
While this body of work may appear like a dreamlike universe, Jones does not view his paintings as depicting fantasy; they exist in front of the viewer, placed on canvases and paper with skill and thoughtful reverie, as if looking at a real living being.
«Prior knowledge may influence how adults view van Goghs: Adults more influenced by prior knowledge, beliefs than children when first viewing paintings
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