The character of Flood's work is not the critique of a detached and ironic appropriationist, but rather more a tirade of extreme opinion in a heated argument about culture. (fadmagazine.com)
While Craven's candy - colored canvases have drawn formal comparisons to Elizabeth Peyton's and Alex Katz's, her project is more closely aligned conceptually with ace appropriationists Sturtevant and Sherrie Levine. (artforum.com)
Roberta Smith (the New York Times, September 5, 2013) wrote: «Rodriguez is a latter - day Conceptual artist with a preference for physical perfection similar to appropriationist precursors like Sherrie Levine, Louise Lawler and Sarah Charlesworth. (cca.edu)