Sentences with phrase «commercial cinema»

This is a reaction, no doubt, to the fact that low - quality horror films are a staple of commercial cinema.

The technology continues to gain traction as a high - end solution, available in both the home and on premium mobile devices, as well as commercial cinemas.

Movies like this don't find their way into commercial cinemas very often.

This immersive audio technology was implemented in select commercial cinemas in 2012.

Written and directed by the master, or rather, maitre of French commercial cinema, Luc Besson, the movie pits Scarlett Johansson in the title role, an American student partying hard in Taipei, Taiwan, against a merciless gangster, Mr. Jang (Choi Min - sik), whose minions sew a pouch of a hazardous synthetic substance inside her stomach.

Somehow, despite its focus on commercial cinema, a couple of outstanding art movies make it into FEFF every year.

Scholar Jeff Smith dives into this critically acclaimed gem in the latest episode of Observations on Film Art, exploring its playful experimentation with genre conventions and what it reveals about Altman's love - hate relationship with commercial cinema.

Focusing on his underseen films from the middle of his career, as Zhang transitioned from an enemy of the state towards state endorsed commercial cinema, MUBI pays tribute to... Read More

As commercial cinema goes, animation and live action are seen as divergent modes of filmmaking sharing the mutual goal of aesthetic cohesiveness; they only achieve it by different means.

Experience reference - grade theater sound, with a coherent soundstage, pinpoint imaging, superb detail and sonic transparency exceeding even the finest commercial cinemas.

The Dragons and Tigers lineup is valuable as both an introduction to new films from young filmmakers and a snapshot of commercial cinemas of Asia, from South Korea and Japan to China and the Philippines.

A serviceable primer on the digital - celluloid divide in commercial cinema, if a bit unwieldy in scope and in danger of being made obsolete by the next version of the RED camera.

He accused critics, lost between the savage tastes of the public and their own self importance, of employing a cynical triple standard, giving a free pass to virtually all the Hollywood blockbusters, championing marginalised filmmakers from around the world, while ignoring or dismissing French commercial cinema.

Director Ryan Coogler's blockbuster will become the first film screened in Saudi Arabia theaters following the end of a 35 - year ban on commercial cinemas.

If your date is an avid film fan, steer clear of commercial cinema and head to see an arthouse, independent or foreign film at Cinema Paradiso in Northbridge.

WATCH If your date is a film buff, skip the commercial cinemas and head for an arthouse film at the Chauvel or Verona cinemas in Paddington.

At a time when consumers of commercial cinema are offered romcoms that look like all the other romcoms, thrillers that look like all the other thrillers, classy period dramas that look like all the other classy period dramas, Slumdog Millionaire really did deliver the shock of the new.

That achievement alone deserves the world's attention, and could well presage a much brighter future for Russia's commercial cinema.

That Malick's films exist in commercial cinema is perhaps awonder.

However, it also highlights the façade of Hollywood, and the commercial cinema in general.

We like to imagine Hollywood as a precision machine, with every million - dollar decision motivated by an enlightened blend of business savvy and artistic intent, while auteurs and producers battle it out in the honest assumption that their conflicts will create masterpieces of commercial cinema.

Beginning in the 1960s, artists began producing experimental film that defied previous definitions of both commercial cinema and fine art.

Sam Taylor - Wood, now Taylor - Johnson, has moved from the gallery world to commercial cinema.

It is in reality an experimental space at the margins of a much bigger culture of the moving image — a place for talented film - makers to mess around with a freedom they could never enjoy in commercial cinema or mainstream television, but which the true artists among them hunger to apply in those bigger, more important arenas.

«I wanted to tell my own stories in a way that I don't think is possible in commercial cinema,» says Beloff.

Pixar's Brave was the vehicle for the new audio technology, which many are billing as the next big thing in commercial cinema.

Introduced in 2012 to commercial cinemas, Dolby Atmos ® * incorporates height effects speakers to create special effects which emanate from above the viewer.