Sentences with phrase «film canon»
The phrase "film canon" refers to a collection of movies that are considered important, influential, or noteworthy in the film industry. These films are often seen as iconic or representative of certain aspects or genres of filmmaking. Full definition
mychaleg: 41:40 this sequence should be part of classic film canon.
fatguysatthemovies.com
In Skyfall this was made Bond film canon as well.
The black film canon; Relevance of «Weiner»; Executive pay higher when women are on boards; Fate of female - driven Wall Street movie; Nate Moore puts Marvel in the black.
Chances are that Fox will be adapting that relationship, especially with an X-Force film on the horizon, and the two's first mutual enemy (at least in film canon) would've been Kesy's unknown bad guy.
Nor does it attempt to negotiate his rank in the American film canon.
Still, Francis Ford Coppola's belated third installment earned seven Oscar nominations, and remains part of the classic film canon.
Within DreamWorks» 21 - film canon, I'd rank Megamind in the upper portion, although the studio's output is so generally and reliably middling, that it's tough to establish a really clear range of high and low points.
Without further ado, let's explore Raising Arizona «s contribution to the Coen brothers» film canon.
I guess in many ways, my favorite film of the whole Blue - Tongues» film canon, is I've got a massive place in my heart for The Square.
How could I formulate a film canon without knowing the history of canon formation?
A series of articles and reviews of older movies that have entered, well, the film canon, for being creatively or culturally important.
When you see The Revenant, what you are seeing is a movie in which a lot of very talented people worked very hard to create something that would enter the film canon immediately upon release, a piece of art that would have no delay between entrance into the world and placement in the pantheon.
Aside from being another rote addition to the revenge - film canon, John Stockwell's In The Blood is also a supreme waste of Gina Carano's talent.
Is the film canon shaped more by audience - pleasing favorites or by significant films I never need to watch again (Silence, Manchester by the Sea, and Toni Erdmann — sorry, but I only dug that last half - hour).
Our efforts to rid film coverage of unfair prejudice go even further: we subject the film canon to the same uncompromising questioning.
The exception to that is the film canon of writer / director Wes Anderson.
Jean Renoir's The Rules of the Game has been part of the film canon for so long that it's valuable to remind audiences how gloriously alive and just plain fun it is.