The Visual Arts bachelor's degree program combines the study
of global art history with studio art classes that span Eastern and Western artistic traditions.
Taken as a whole, this ambitious exhibition catalogue encapsulates the energy, heart, and «dissonance of styles» — in the words of Schjeldahl — embodied by this fascinating and fecund moment
in global art history.
It presents a narrative that explores the resonances between Indonesia and the world and offers a reading of Indonesian art history in dialogue
with global art history.
The publication charts Hepher's life and work from the 1950s to the present day, tracing a path that begins in an era of the last century that was highly suspicious of figurative painting, through to the recent re-evaluation and rise to prominence of post-war British Art
within global art history.
The gallery has contributed to document underrepresented facets of
global art history through its multilingual publishing division and custodianship programme.
This exhibition celebrates Lam's life and work and confirms his place at the centre
of global art history.
But whereas that exhibition consolidated an emergent artistic practice, Other Primary Structures consolidates a highly problematic form of
global art history, one that is no less hegemonic than the narrative from which it supposedly departs.
«This two - year intensive curatorial training — the first of its kind on the West Coast — will take you through the history and methodology of exhibitions, as well as contemporary and
global art history, theory, and criticism, before you embark on a second year in which you'll undertake individual projects and organize a group - curated exhibition.
Significant as these two works are, both within Oiticica's oeuvre and in terms of their impact on the trajectories of Brazilian culture and
global art history, they comprise only one element of the Whitney's retrospective, which takes an expansive view of the impressively diverse work Oiticica produced in just two and a half decades from the mid 1950s until 1980.
This catalogue encapsulates the energy, heart and «dissonance of styles» — in the words of Schjeldahl — embodied by this fecund moment in
global art history.
: Art in Singapore Since the 19th Century establishes the city — state's official art history, while Between Declarations and Dreams: Art of Southeast Asia Since the 19th Century seeks not only to define a regional narrative, but also to insert that narrative into
a global art history that is currently dominated by the West.
This major exhibition re-establishes Lam's place at the centre of
global art history, and explores his personal and political journeys between East and West.
In celebration of the DMA's upcoming exhibition Between Action and the Unknown: The Art of Kazuo Shiraga and Sadamasa Motonaga, join Ming Tiampo, leading Gutai expert and Associate Professor at Carleton University, Ottawa, for a discussion on the art and life of Shiraga and Motonaga in the context of
global art history and the current art market with:
The gallery's primary mission is to support Chinese contemporary art in China, and to preserve it within the context of
a global art history.
First year students focus specifically on exhibitions — their history, form and design — alongside courses in contemporary and
global art history, theory and criticism, and primary engagements with artists and designers.
This lecture is a methodological analysis of the objects, terms, claims, and narratives of
Global Art History, World Art History, and World Art Studies.