Sentences with word «hyperobject»

Marfa Dialogues / Houston will conclude with «From Hyperlocal to Hyperobject: Art, Ecology, and OOO», a conversation with Rice University professor Timothy Morton, author of Hyperobjects: Philosophy and Ecology after the End of the World (2013) and Dark Ecology: For a Logic of Future Coexistence (2016) among many other publications and essays; and international award winning photographer Mandy Barker from Leeds, UK.

Click here for more information on Hyperobjects, Ballroom Marfa's Spring 2018 group exhibition opening concurrently with the festival.

Via aesthetics, direct sensory experience, speculative explorations, and dramatic fluctuations in scale, the artists in Hyperobjects reflect various facets of this monumental theory.

Hyperobjects opens April 13 at Ballroom Marfa in Marfa, Texas.

Timothy Morton spoke with artist and Art Books in Review Editor Greg Lindquist to discuss his new book Hyperobjects (University of Minnesota Press, 2013).

Ballroom Marfa is in the research phase for Hyperobjects, a group exhibition scheduled to open in spring 2018.

Morton argues that hyperobjects create an ecological awareness far beyond normal human comprehension.

Hyperobjects takes its name and organizing principles from Morton's 2013 book.

Tara Donovan will be the subject of a solo - exhibition at Fieldwork, Museum of Contemporary Art, Denver (21 September 2018 - 27 January 2019) and included in the group exhibition Hyperobjects, Ballroom Marfa, TX, (13 April - October 2018).

mild steel bent and drilled for musicality, high density compacted carved foam, stranger - blown glass, clear petroleum jelly, dolls house miniature cutlery, unglazed ceramic made from memory, gravity - cast silicone rubber, hay from home, Lamlac replacement milk powder, donated granulated Kilwaughter lime, bath water cast silicone rubber, machine flattened forks, solar powered aquatic air pump with hyperobject, rubber glass, miniature plastic cows misc, handbag frame, window and magnets.

As we examine this Regionale hyperobject, bodies of work tagged as interesting begin to form another type of being.

Could we imagine that a call for portfolios such as Regionale, is a kind of hyperobject?

Tara Donovan is included in Hyperobjects, a group exhibition co-organized by philosopher and Rice University professor Timothy Morton and Ballroom Marfa Director & Curator Laura Copelin.

Join us as we consider the scale of climate disruption from the hyperlocal to the hyperobject.

In Morton's writing, hyperobjects are «entities that are so massively distributed in time and space as to transcend spatiotemporal specificity, such as global warming, styrofoam, and radioactive plutonium.»

As part of this discussion, MD / HOU will include three days of panels, presentations, performances and films considering the scale of climate change issues, from the hyper - local to the hyperobject.

Holberton explains, «I wanted to insert myself into a local system that indexes a much larger system, what ecophilosophist Timothy Morton calls a hyperobject; something too large and complicated to be understood by a single human processor.»

Elise Pepple speaks to Ballroom's Director, Laura Copelin, and artists Emilija Škarnulyte, and Tara Donovan about Ballroom's newest exhibition, Hyperobjects.

Unselected, unsubmitted or even unrealized artworks would complete the hyperobject that is the Regionale 18.

Interests that flavor recent activities include «Pataphysics, Zen Buddhism, Art Conservation, and Hyperobjects.

The exhibition engages ideas from Morton's theory of hyperobjects, entities that are bewilderingly huge and seemingly incomprehensible, to confront the overwhelming scale of today's ecological crisis.