While I had a few
minor issues with the film, I thought it was, and still is, the best video game - to - film adaptation ever released.
Despite my
personal issues with the film, the special features that appear here are well worth the time of those seriously interested in the events of 9/11.
The biggest
issue with this film for me was not that it was not as hard hitting as his other work but that it went off on some unneeded tangents.
(Indeed, there are some other
casting issues with the film, between a blink - and - you'll - miss - it, but ultimately distracting, cameo from Berg, and the co-starring turn by Jerry «Turtle from Entourage» Ferrara as a communications officer.)
Now, of course, there is «45 Years» and while I have a few
issues with the film as a whole — the storyline at times plays more like a riff on an old «Alfred Hitchcock Returns» episode than a serious drama — I have none with Rampling's work as a woman who is stunned to discover that after 45 years of marriage, her seemingly loving husband is still a mystery to her.
As I try to take an unbiased approach from a viewer not having read the books and interested in the structure of the film, I do notice some
glairing issues with the film that honestly affect all book to film adaptations in one form or another.
Apparently, there were
framing issues with the film's previous DVD releases — as if a cropped fullscreen transfer had further been cropped — but I detected nothing of the sort here.
As with other reviews, my
main issue with the film was the shallow take on the moral dilemma of the story with the timely spaceship mishap allowing a neat and tidy wrap - up.
While neither the book nor the film show Wiseau in a flattering light, the enigmatic actor has approved of The Disaster Artist, although Franco revealed in an interview that Wiseau had one
small issue with the film:
In fact, we have to say that our main (only)
real issue with the film was that we wanted more: Jodorowsky's presence is like a gently hallucinogenic and instantly addicting drug, and 90 minutes of it just isn't enough.
The
biggest issue with the film is that everything happens under the surface and it makes it difficult to sit through a film that has really unique elements but such slow pacing.
The
only issue with the film is that it's overlong, resulting in periodic disengagement — especially for younger viewers.
We have a unique opportunity to discuss
these issues with film - maker Josh Fox, law professor and former Gubernatorial candidate Zephyr Teachout, along with special guest actor James Cromwell.
The first three or four paragraphs in which he identifies all of
the issues with the film is exactly where I'm at with it.
Some may take
issue with the film's portrayal of Harding (a widely hated villain) as a victim of circumstance, but she's certainly an intriguing individual to watch and the film never sugarcoats the less - than - savory aspects of her life.
I take
issue with the film's curiously high number of «When Animals Attack» scenarios, too, with Tripp running afoul of everything from chipmunks to dolphins.
That weakness is not
an issue with the film itself, but rather audience expectations.
I will say that I had
some issues with the film, I found it to be somewhat inconsistent.
Exactly, which is
an issue with the film business of course.
That's part of
the issue with this film, too many subjects covered.
I do have
issues with the film and many would probably disagree with me but I found it to be a tad slow and too long.
My issues with the film all revolve around the character of Evelyn and how things are handled with the character.
If I had
any issue with the film it was simply that things work out a little too easily at times.
Because I can't figure out how to express
my issues with the film without mentioning one major point although it doesn't spoil the action of the final act, just how Soloway chooses to get there.
This highlights the main
issue with the film — it's so heavy - handed, and it's often tough to place whether it's trying to be original or aiming for satire and, therefore, winds up feeling like a failed attempt at both.