Sentences with phrase «language of film»

And it does so by embracing the visual language of film.
The art style and language of the film really helped with it being in the 1600's, and that sadly doesn't do justice for me.
Infusing the seductive language of film and advertising with a touch of sly conceptualism, the artists included in New Photography 2010 explore the relationship between straight and constructed photograph, image and picture.»
He did not simply depart from the facts of history, inventing, in the title characters, a squad of mostly Jewish - American killers led by a United States Army lieutenant from Tennessee; he rewrote the past in the vivid, visceral language of film fantasy.
The magical realism of Sorry to Bother You is clearly like the bastard child of Charlie Kaufman and Terry Gilliam, but the visual language of the film owes a lot to Michel Gondry — who does get a small nod during a scene.
The mechanics of the music box, cylinder, metal elements and pins, enlarged and magnified to an industrial scale, remind us of the visual language of films such as Chaplin's Modern Times andFritz Lang's Metropolis, as well as the austere objectivity of German photographer Adolf Lazi's 1930's photographic series.
Infusing the seductive language of film and advertising with a touch of subversive conceptualism, the artists included in this edition of New Photography explore the relationship between image and picture.»
One gets the sense that some of the monotony is purposeful, but that can also make it easy to drift from the words — especially when the visual language of the film is so fascinating.
Infinity War isn't a life - altering experience that changes the language of film, but it is an ass - kicking popcorn superhero flick that delivers the spectacle fans have waited years for.
So, those first sessions were extremely important to developing the language of the film
The language of the film is English, and there's an option for English subtitles for the hearing impaired.
But Billboards still speaks the language of film, with incredibly well - staged scenes and a great visual gag involving Officer Dixon (Sam Rockwell) and his music.
And the language of the film's characters is an end, not a means, never satisfactorily bound to the film's moral theme about decision - making.
But he, together with his brilliant editor Peter Hunt (like Bond stalwarts Saltzmann and composer John Barry, invaluable, we'll discuss his contribution later) shook up the language of film to a mad degree to make us, the viewer, step firmly into Harry's irreverent shoes as an outsider, bucking the system, and off - kilter in a paranoid world.
The language of the film and lack of a single protagonist make it a Hollywood rarity and gem.
In his lengthy piece for The New Republic, Denby — who is a film reviewer for The New Yorker — blamed the industry's current business model for diluting the «language of film,» that is film style, and stripping narratives of depth, drama, a sense of pace and space, and, most of all, character.
According to an individual with knowledge, slight edits were made to the language of the film and both sides compromised on the rating.
Each of the play's many extended family members is crucial to the arc of the narrative, their secrets and lies and blind spots all converging into one operatically messy family story, yet when translated to the language of film, their individual presences greatly damage time and space.
On Story promotes diversity in front of and behind the camera by spotlighting the work of a variety of voices who use the language of film, television, playwriting, and podcasts to tell a story.
Consisting of no digital touch - ups, over a dozen setting changes, loads of extras, unpredictable animals, air travel (that's right), musical numbers, and even a game of ping - pong, suffice to say, if Bi Gan's goal was to reinvent the language of film, he might have done achieved that goal, but I'm still dizzily reeling.»
Designed to teach students how to «read» the visual language of film, it is a project of the Film Foundation, established in 1990 by acclaimed filmmaker Martin Scorsese and fellow film directors Woody Allen, Robert Altman, Francis Ford Coppola, Clint Eastwood, Stanley Kubrick, George Lucas, Sydney Pollack, Robert Redford, and Steven Spielberg.
What resources are out there for learning the language of film?
But as a nod to the Academy Awards this month, I've created a playlist with resources to get you started on thinking about media and visual literacy and how to teach the language of film.
In recent years we've seen plenty of criticism (including mine) leveled at video games that rehash old ideas; games that rely on genre formulas; games that ape the language of film.
I worry that in comparing similar elements of video games and films, we lose sight of what works in their respective media are trying to accomplish, and the result is that we measure video games against the yardstick of film or use the language of film to discuss video games.
The title of Douglas's video installation borrows from the language of film.
Am I neo-classical if I return to the language of film classics?
Selected from over 1,500 entries, each work is conceived as an exploration into the fundamental elements of moving - image making, investigating technical processes, narrative structures and form to expose the language of film and repurpose it in imaginative ways.
Movement through the land is catalogued in the language of film and is then separated by the technology of video.
«Jaonua: The Nothingness & Sanook Dee Museum» has allowed us to explore much of her oeuvre — the way she employs the language of film, integrates her sculptural pieces to her installations, and the themes and visual motifs that recur in her work.
He uses the language of film to manoeuvre and influence the interpretation of images and stories.
The language of film is scrambled, the texts decouple image and meaning.
Dr James Boaden, Lecturer in History of Art at the University of York, talks about the language of film, exploring the relationship between art and moving image, experimental film culture and visual communications.
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