Sentences with phrase «mm print»

For the first time since the original release, this 70 mm print of 2001: A Space Odyssey was struck from new printing elements made from the original camera negative.
The image looks like a great 35 mm print from the era should, boasting the right amount of film grain and picture detail.
Shigehiko Hasumi (Tokyo) Blood Work; Bright Future (Kiyoshi Kurosawa); Dolls (Takeshi Kitano); Ghosts of Mars (John Carpenter); The Man Without a Past; Novo (Jean - Pierre Limosin); Russian Ark; Unknown Pleasures; Women in the Mirror (Kiju Yoshida); Zanjin Zanba Ken (Daisuke Ito, 1929, recently discovered in 9.5 mm print for Pathé Baby) plus one book: La Promesa de Shanghai by Victor Erice (scenario and dialogue of an unrealized project, Areté, 2001, Madrid)
Details The Alamo Drafthouse presents a 35 mm print screening of Stan Winston's under - rated cult horror... Continue reading →
When doing a digital scan of a conformed 16 mm print with a splice at every cut, it can be tough to achieve the high standards we all aspire to in the era of digital cinema.
Criterion's full frame Blu - ray transfer is derived from a new 35 mm print struck from the original camera negative and makes the film look better than I've ever seen it in a theatre or on home video.
I hadn't seen E.A. Dupont's film since I owned an 8 mm print as a kid, but I was enthralled when I saw the new print at the San Francisco Silent Film Festival two years ago.
Large, separate ink cartridges keep cost per label low while print speeds of 152mm / s, along with 210 mm print width produce full colour labels extremely fast.
The transfer is good, but just can not capture all the detail the 35 mm print offered, so we'll have to wait for the Blu - ray and HD - DVD versions for that possibility.
When Anderson went on to make his next film, his ingenious Thomas Pynchon adaptation «Inherent Vice» (2014) he shot it in 35 mm but had a couple of 70 mm prints blown up from it that have only received a handful of public screenings to date.
This week, we've got another hot one: A special screening of Walter Hill's under - appreciated 1984 rock «n» roll musical Streets Of Fire, presented in an exceedingly rare 70 mm print so you can fully appreciate all the fine details of Willem Dafoe's rubber overalls.
Aside from some crushed blacks and clipped whites (it's not outrageous to assume that Scream pumped up the exposure to help make this dark film a bit more legible), the transfer, with its patina of grain and mild speckling (both positive and negative), is pleasantly evocative of a 35 mm print after a few showings.
Gary Lockwood in a scene from «2001: A Space Odyssey,» a classic from 1968 reissued in a new 70 mm print on its 50th anniversary.
Culled from the Paramount vault, this 35 mm print remains one of the least seen film noirs of the 1950s, featuring Curtiz's use of the then - new Fujinon camera lens.
If you are listening Toronto theatre programmers, please get a 35 mm print up here for those who missed it at TIFF last year.
10 years after its 2007 theatrical, the 35 mm print returns to the fest!
This version annihilates the previous DVDs and is worthy of the best 35 mm prints issued.
In the middle of the screening, with the 70 mm print unspooling before my eyes, it suddenly occurred to me that the character played by Joaquin Phoenix in the film — Freddie Quell, a disciple of the L. Ron Hubbard - style cult leader Lancaster Dodd (Philip Seymour Hoffman)-- is actually a dog.
Book Materials: Clothbound hardback, 84 pages Book Dimensions: 286 x 222 x 15 mm Print Materials: Photographic print Print Dimensions: 254 x 203.2 mm
«Unrestored» 70 mm print of Kubrick's landmark 1968 masterpiece to be released in select U.S. theatres, following world premiere at the 2018 Cannes Film Festival, introduced by filmmaker Christopher Nolan.
Among the rarities NOIR CITY is presenting this year is a new 35 mm print from Universal Pictures of 1949's «The Great Gatsby,» starring Alan Ladd as F. Scott Fitzgerald's legendary hero.
they're importing a 70 mm print for australian release in march.
While the items that will be available have yet to be revealed, Mondo is kick - starting the weekend Thursday night with a (now Sold Out) 35 mm print screening of John Carpenter's The Thing featuring an exclusive print by artist extraordinaire Jason Edmiston.
But no critic was able to really verify anything that they said because you saw a movie once, and then you had to wait until next time it came around in repertory theaters or in a 16 mm print in your class.
Both films are remastered from new 2k scans of 35 mm prints struck directly from the camera negatives and the double feature (two discs on DVD, one on Blu - ray) includes new interviews with manga author Koike Kazuo and screenwriter Norio Osada.
Christopher Nolan will present a 70 mm print of 2001: A Space Odyssey at Cannes before the theatrical re-release.
Larry Fessenden — who had a central, crucial impact on my career in its early steps here — brought a 35 mm print of his Wendigo.
For me, there were no major discoveries or revelations this year — like, say, Jeff Nichols» «Shotgun Stories» or Yôjirô Takita's «Departures» or the astounding, mind - blowing 70 mm print of Jacques Tati's «PlayTime» in past Ebertfests — but that almost seemed beside the point.
Screening in conjunction with the release and signing of American Cinematheque's Dennis Bartok's new book, A Thousand Cuts, is a rarely seen 35 mm print of the 1968 low - budget alien invasion gem GOKE: BODY SNATCHER FROM HELL.
Special Guests: Seven out of the eight films shown will be in old - school 35 mm prints, and the other is in digital format.
I've never seen a 35 mm print of The Deep, so it's impossible for me to say whether this is an accurate representation of the film, but the cinematographer's experience with Technicolor photography suggests the saturation could well be intentional, if a bit unnatural.
Starting the series is a new 35 mm print of a superb prison drama based on actual events: «A Man Escaped» (1956).
After its initial release, the film was neglected to the point that it was almost lost, being rescued in 2004 after the chance discovery of an original 35 mm print.
Alex Cox came with his personal 35 mm prints of Walker and Straight to Hell, Lucky McKee with May, Robert Harmon with The Hitcher, Gary Sherman with Death Line, Allison Anders and Illeana Douglas with Grace of My Heart.
35 mm prints were substituted where noted.
But before that arrives, lucky cinephiles will have the chance to revisit the original film as a pristine 35 mm print of an uncut version of the film was found by the Chicago Cinema Society.
Universal is also providing a new 35 mm print of 1954's «Naked Alibi,» starring noir's favorite bad girl, Gloria Grahame.
Details The Texas Theatre presents a 35 mm print of Dario Argento's cult classic giallo film Deep Red (1975), 8 pm, June 30, at the theater.
I just can't tell if that's because of the 70 mm print or not.
The Texas Theatre presents a 35 mm print of Martin Scorsese's early crime drama Mean Streets (1973), various showtimes, October 20, at the theater.
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