His artworks brings together
photography and painting on the same canvas, stimulating the eyes of the viewer and inviting to virtually «dive» into the pictures, going places around the world.
The exhibition will open alongside the Museum's presentation of The Lens of Impressionism:
Photography and Painting Along the Normandy Coast, 1850 - 1874, on view through May 22, 2010.
In doing so, they both drew upon the conventions of landscape
photography and painting as practiced in wetter, more verdant places and invented new visual forms that responded to the new environments they encountered.
As Will Murray investigates transformative mechanisms in his artistic practice by
using photography and painting as a hybrid form, he describes the painters mark as a journey, in which his action sends one narrative through another.
Blue Mountain Gallery presents biOcular, an exhibition by Anne Diggory that includes hybrid works
combining photography and painting in urban and Adirondack landscapes as well as the clutter of everyday living.
Curated by photographer Kathryn Szoka, the exhibition celebrates workers in Sag Harbor Village and combines vintage photographs from private and institution collections
with photography and paintings from artists who lived or worked in Sag Harbor Village.
I've liked this explanation Gerhard Richter gave in 1972 to Rolf Schön about the relationship in his work between
photography and painting for a long time, but it's been particularly awesome lately:
«Perpetual Revolution» ditches photography for the latest upload, while Richard Mosse and Yoan Capote recover
photography and painting alike for the refugee crisis.
As an undergraduate studio art major at the University of Georgia, Michael Stipe (born 1960)
studied photography and painting before leaving school upon the formation of R.E.M., the band for which he served as frontman and singer / songwriter until its dissolution in 2011.
The Hammer Museum show, «Charles Gaines: Gridwork: 1975 - 1989» (first organized by the Studio Museum in Harlem) brings together many of the artist's gridded pieces, from early black - and - white geometric shapes inspired by math, to more colorful, figurative works that
include photography and paint.
Resembling the generalization of color and tonal output of an inkjet printer, or a CCTV camera scanning our activities, Havekost's works succeed in
blending photography and painting — once rival genres.
Exhibiting Mexican and international artists, this Mexican gallery focuses in the field of
photography and painting showcasing emerging talent working in the contemporary language.
It will overlap with the final two months of Gesture: Judith Godwin and Abstract Expressionism, offering museum visitors an opportunity to further consider the relationship of
abstract photography and painting.
«Who, What & How of Moderns: The Two Poles of
Photography and Painting panelist David Cohen is an art critic, art historian and the editor and publisher of ArtCritical, an online magazine of art and ideas.
On the website, prices for the available works, which lean heavily
towards photography and painting, are listed for all to see; potential collectors are invited to consult an «art specialist» before laying down their credit cards for a work they've likely never seen in real life.
Traditional art forms such as
photography and painting now regularly commingle, often seamlessly, with plastic, concrete, textile, veneer, rubber, and other household and industrial materials.
The works on show span the last three years of production, during which time Murray describes his work as developing from a painting - orientated practice incorporating collage and photography to a collage - orientated practice that
incorporates photography and paintings as both a means to produce new material and a tool for the realisation of his pieces.
While Lins refers to her work primarily as sculpture, she consistently questions traditional notions of the medium through its relationship to other forms of representation, most
notably photography and painting.
This week, New York City galleries are exploring different variations of abstraction, from densely composed canvases, hard - edge painting and mixed media,
multi-layered photography and painting - sculpture hybrids that defy conventional labels.
In his current solo show at Retrospective in Hudson, Dustin Pevey effectively does just that, employing
digital photography and paint to make layered paintings that raise questions about what is «real.»
The Lens of Impressionism:
Photography and Painting Along the Normandy Coast, 1850 - 1874 reveals how the convergence of social, technological and commercial forces within the region affected artistic production and dramatically transformed the course of photography, impressionism and modern painting.
Throughout the past two decades, Carla Klein's work has explored the relationship
between photography and painting as well as the layers of mediation involved in both creating and interpreting images.