Sentences with phrase «set decorator»
A set decorator is a person who designs and arranges the objects and furniture found in a film or television set. They help create the desired look and atmosphere of the set, using props and decor to enhance the story being told. Full definition
• Audio Commentary with production designer Grant Major, costume designer Ngila Dickson, Weta Workshop creative supervisor Richard Taylor, conceptual designers Alan Lee and John Howe, supervising art director / set decorator Dan Hennah, art department manager Chris Hennah, and Weta Workshop manager Tania Rodger
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Let it be written in permanent ink that Dante Ferretti will be nominated for spearheading the film's Art Direction, a nomination he'll share with set decorator Francesca Lo Schiavo.
Mimi Gauthier, a movie set decorator in New Orleans, recalls her father's battle with RLS: He always had to shake out his legs repeatedly before he could sit in his lounge chair and snooze, and he napped frequently during the day.
Vincent was also set decorator on all three of Peter Jackson's Hobbit films and art director on Neil Blomkamp's Halo: Landfall short as well.
Art Director Brandt Gordon (Mr. Magorium's Wonder Emporium) really sets the mood with the help of set decorators and the suffocatingly elaborate costume designs.
Her most recent production role in 2014 was as Set Decorator for the television series Indian Summers, a Channel 4 (UK) production.
Costume Designer Colleen Atwood, production designer Dante Ferretti and set decorator Francesca Lo Schiavo comment on the look of the film «Designs for a Demon Barber» (9 minutes).
We hear from production designer David Wasco and set decorator Sandy Reynolds - Wasco and also see many stills and sketches that relate to the material.
Set Decorator Beth Rubino says they were custom - mixed colors that were designed to look good on screen.
That's not to take away from Ann Roth's ratty and exquisite period costume design, or to detract from how immaculately set decorator Rena DeAngelo recreated the smokey thrum of the old Washington Post newsroom.
Beautifully mounted by production designer Mark Ricker and set decorator Cindy Carr, beautifully dressed by costume designer Daniel Orlandi, and beautifully shot by cinematographer Jim Denault, Trumbo is directed by Jay Roach in fine journeyman fashion, not calling attention to itself but intent on serving the material well.
Affleck has master craftspeople like cinematographer Robert Richardson, set decorator Nancy Haigh, and costume designer Jacqueline West operating at the top of their game.
Production Designer Suzie Davies, along with Set Decorator Charlotte Watts, construct an alluring atmosphere of time and history.
One of the main set decorators on «Voodoo» used to be a Satanist years ago and was able to bring that level of authenticity to the set due his personal experience when it came to symbols, and general vibe of the cultish atmosphere in Hell.
We get remarks from Guber, Pratt, Burton, Kenny, Elfman, Williams, Basinger, Hamm, MacDonald, Nicholson, Mankiewicz, Walter, set decorator Peter Young, art director Terry Ackland - Snow, supervising art director Les Tomkins, art director Nigel Phelps, assistant costume designer Graham Churchyard, special effects supervisor John Evans, costume effects supervisor Vin Burnham, Batsuit wrangler Day Murch, makeup designer Nick Dudman, and orchestrator Steve Bartek.
We hear from Dobkin, Vaughn, Wilson, costume designer Denise Wingate, set decorator Garret Lewis, producer Andrew Panay, screenwriters Steve Farber and Bob Fisher, wedding coordinator Lovelynn van der Horst, magic and balloon consultant Michael Stellman, and actors Christopher Walken, Rachel McAdams, and Jane Seymour.
Under the banner The Final Climax, we find nine featurettes that fill 32 minutes, 39 seconds with notes from director James Foley, production designer Nelson Coates, set decorator Carolyn «Cal» Loucks, costume designer Shay Cunliffe, director of photography John Schwartzman, producer Marcus Viscidi, author EL James, screenwriter Niall Leonard, and actors Dakota Johnson, Jamie Dornan, Eloise Mumford, Victor Rasuk, Rita Ora, and Eric Johnson.
Remembering J. Michael Riva: The Production Design of Django Unchained lasts 12 minutes, 50 seconds and involves Savone, Foxx, prop master Hope Parrish, production designer J. Michael Riva, supervising art director David Klassen, producer Reginald Hudlin, set decorator Leslie Pope, and actor Walton Goggins.
Hymas did in fact hire a few people that worked on the 1979 horror sci - fi, set decorator Stuart Rose, costume designer John Mollo and model maker Martin Bower.
Set decorator Tatiana MacDonald («The Imitation Game») and production designer Maria Djurkovic («The Imitation Game»)
This tightly - knotted mood owes a great deal to production designer Anne Ross, a frequent collaborator of Coppola's, as well as art director Jennifer Dehghan and set decorator Amy Beth Silver...
Set Decorators Judy Farr — «The King's Speech,» «Death at a Funeral» Gene Serdena — «The Fighter,» «House of Sand and Fog»
Production designer, and long - time Spike Jonze collaborator, K. K. Barrett has thought up a future that seems like it could be one trend away from being the current LA; and set decorator Gene Serdena styles Theodore's futuristic home in a way that would have the Jetson's drooling.
«Designing The Series» features Production Designer Bill Groom and Set Decorator Carol Silverman discuss the look for the show.
Production designer John Barry, art directors Leslie Dilley and Norman Reynolds, and set decorator Roger Christian shared this award for crafting the realistic, lived - in look and feel of Star Wars: A New Hope.
For Revenant set decorator Hamish Purdy, it's his first time at the Oscars.
As a counterpoint to these events, Aurora rummages in a closet and comes up with a roomful of diaries, photo albums, old dance cards, theater programs and journals, which collectively suggest set decorators and prop consultants are on an unlimited budget.
The work of production designer Anastasia Masaro, set decorator Caroline Smith and the team of four credited art directors (including Terry Gilliam himself) is playful and self - aware.
She was honored for costume design and production design, which she shared with set decorator Beverley Dunn.
The film boasts a strong female creative presence that includes DP Crystel Fournier, production designer Anne Seibel, set decorator Christelle Maisonneuve, costume designer Milena Canonero, and composer Laura Karpman
It features comments from Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, director of photography Trent Opalach, special effects supervisor Max Poolman, lead set decorator Gary Potgieter, art directors Emelia Weavind and Mike Berg, production designer Philip Ivey, sound designer Dave Whitehead, supervising sound editor Brent Burge, film editor Julian Clarke, and actors Sharlto Copley, Jason Cope, Vanessa Haywood, Mandla Gaduka, and David James.
Production designer Mark Freidberg, set decorator Lydia Marks and costume designer Catherine George have fashioned a setting in their shared home that is an extension of both characters, representing his neatness, her mania for monochrome, and one bonus element: a scene - stealing English bulldog named Marvin (played by the now deceased canine performer, Nellie).
The three kids, now grown - up, Susan Clark, and set decorator John A. Kuri also appear.
Yet production designer Michael Corenblith and set decorator Tiffany Zappulla...
Taken together, they offer about 22 minutes» worth of talking - head interviews and B - roll with contributors, including Logan, supervising producer Chris King, set decorator Philip Murphy, production designer Jonathan McKinstry, and fast - talking historian Matthew Sweet.