Sentences with phrase «special effects supervisor»

We get remarks from Guber, Pratt, Burton, Kenny, Elfman, Williams, Basinger, Hamm, MacDonald, Nicholson, Mankiewicz, Walter, set decorator Peter Young, art director Terry Ackland - Snow, supervising art director Les Tomkins, art director Nigel Phelps, assistant costume designer Graham Churchyard, special effects supervisor John Evans, costume effects supervisor Vin Burnham, Batsuit wrangler Day Murch, makeup designer Nick Dudman, and orchestrator Steve Bartek.

It was the handiwork of the movie's special effects supervisor Chris Corbould, and one of the reasons why he recently received a visual effects Oscar nomination for «The Last Jedi.»

Malick's version of the origin of the universe is filled with grace and grandeur, and is brought to life with the help of famed special effects supervisor Douglas Trumbull, the man responsible for the Star Gate sequence in Stanley Kubrick's 2001.

He was replaced by another first - timer, Cedric Nicolas - Troyan, the Oscar - nominated special effects supervisor on the 2012 movie.

Gravity special effects supervisor Neil Corbould, has been nominated for an Academy Award and a Bafta in the Best Visual Effects category this year — along with Tim Webber, Chris Lawrence and David Shirk.

In it, four of the film's essential crew members — special makeup artists Stephan Dupuis and Chris Walas, director of photography Mark Irwin, and special effects supervisor Gary Zeller — talk about how they created the cult classic's signature effect.

Production values are at the highest levels, so we can also expect nominations for cinematographer Hoyte van Hoytema, who figured out how to take large - size cameras into challenging small places, production designer Nathan Crowley, editor Lee Smith, costume designer Jeffrey Kurland, VFX supervisor Andrew Jackson, and special effects supervisor Scott Fisher, not to mention composer Hans Zimmer, who is often taken for granted but is at the top of his game here.

The second commentary is a more limited affair that features special effects supervisor Richard Edlund.

The corresponding natural audio goes with the first one, while the second provides an audio commentary from special effects supervisor Kevin Haug and special effects coordinator Cliff Wenger.

He made his debut as a director on the ecologically minded Silent Running, where his special effects crew included John Dyksra (who went on to become the Oscar - winning special effects supervisor of Star Wars and many other films) and Richard Yuricich (who partnered with Trumbull on many subsequent projects).

Oscar winner Paul Franklin («Inception») served as visual effects supervisor and Scott Fisher («The Dark Knight Rises») as special effects supervisor.

Originally intended to be shot in full Cinerama, it was eventually filmed in the more conventional Super Panavison 70 process when special effects supervisor Douglas Trumbull pointed out that it offered less chance for visual distortion.

We had to work out how to film it, so we worked on some camera technology that had been used on helicopters before and handed that over to special effects supervisor Dom Tuohy, who built a really cool rig to film it.

Ragnarok «s visual special effects supervisor Jamie Morrison (Thor, Thor: The Dark World, The Avengers, Ant - Man) is also a Lord of Rings, alumni having worked on Lord of The Rings: The Two Towers.

In a new HD interview, special effects supervisor Colin Chilvers spends 16 minutes weighing in on the production, describing Stanley Donen's approach to the material and his relationship with John Barry, the difficulties of working with the robot and executing miniature FX on a tight budget («In those days, there was no such thing as a big - budget science - fiction movie,» he says), and even the age differential between Douglas and Fawcett.

* Creating the «Nam runs 12 minutes, three seconds and features Stone, Dye, producer Arnold Kopelson, editor Claire Simpson, production designer Bruno Rubeo, special effects supervisor Yves De Bono, and actor Charlie Sheen.

It fills 18 minutes and one second as it presents comments from Gillis, Weaver, Landau, Robb - King, Swerdlow, Williams, Reynolds, special effects supervisor George Gibbs, cinematographer Alex Thomson, and actors Paul McGann, Charles Dance, Ralph Brown, Charles S. Dutton, and Danny Webb.

With Special Effects: The Art of the Impossible, we get an eight - minute and 28 - second piece that features Platt, Bekmamvetov, McAvoy, and special effects supervisor Dominic Tuohy.

We hear from writer / producer David Giler, producer Gordon Carroll, almost - director Renny Harlin, actors Michael Biehn, Carrie Henn, and Sigourney Weaver, story writer / another almost - director Vincent Ward, production executive Jon Landau, production designer Norman Reynolds, storyboard artist Martin Asbury, and additional special effects supervisor Joss Williams.

Next we find AI / FX, a seven - minute and 45 - second discussion with special effects supervisor Michael Lantieri.

In the film Bridges appears as a digitally rendered version of his younger self; captured by VFX company Digital Domain and leading special effects supervisor Eric Barba, who previously took Brad Pitt through the seasons in The Curious Case of Benjamin Button.

Rawhead FX — featurette bringing together interviews with creature effects artists Peter Mackenzie Litten and John Schroonraad, special effects supervisor Gerry Johnson, second unit cameraman Sean Corcoran and make - up artist Rosie Blackmore

Indeed, Derrickson, DP Ben Davis, production designer Charles Wood, and special effects supervisor Stéphane Cerretti (whose credits include The Prestige and Guardians of the Galaxy) have not merely pushed the boat out but turned the boat inside out and twisted it into a Moebius - strip replica of itself.

It's testament to the excellent production design and overall art direction achieved by Edward Carfagno and special effects supervisor Glen Robinson.

We are delighted to welcome cast member Nicholas Vince (Chatterer cenobite) and special effects supervisor Geoff Portass to discuss the production and legacy of Hellraiser in a Q&A after the film.

«The Testing Phase» (16 minutes) features director of photography Conrad W. Hall and special effects supervisor Joe Viskocil discussing the lighting tests which were done on the set and the preparation which went into designing the special effects such as the propane explosion.

It features comments from Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, director of photography Trent Opalach, special effects supervisor Max Poolman, lead set decorator Gary Potgieter, art directors Emelia Weavind and Mike Berg, production designer Philip Ivey, sound designer Dave Whitehead, supervising sound editor Brent Burge, film editor Julian Clarke, and actors Sharlto Copley, Jason Cope, Vanessa Haywood, Mandla Gaduka, and David James.

John Bruno, special effects supervisor on Terminator 2 tries to reinvent the haunted house sub-genre in his directorial debut, much as Ridley Scott did in Alien.

There we see Emmerich chat along with Chusid, Goulekas, Gordon, Steiger, first AD Kim Winther, sound mixer Don Cohen, costume designer Renee April, and special effects supervisor Neil Corbould.

Makeup artist Dick Smith and special effects supervisor Gary Zeller intended for this effect to work very differently, with the use of explosives.

The behind - the - scenes creative team included director of photography Hoyte van Hoytema, production designer Nathan Crowley, editor Lee Smith, costume designer Jeffrey Kurland, visual effects supervisor Andrew Jackson and special effects supervisor Scott Fisher.

I talked to cinematographer Barry Ackroyd, editors Chris Innis and Bob Murawski, sound designer Paul Ottosson and special effects supervisor Richard Stutsman about their contributions to this humble spectacular.

We receive remarks from director Robert Zemeckis, actors Michael J. Fox and Lea Thompson, special effects supervisor Kevin Pike, executive producer Steven Spielberg, singer / actor Huey Lewis, production designer Lawrence Paull, producer / writer Bob Gale, and composer Alan Silvestri.

Here Kubrick and special effects supervisor Douglas Trumbull place the minutiae of other science - fiction films in the foreground, and elevate it to the realm of art.

Reimagining the Spaghetti Western: The Horse and Stunts of Django Unchained goes for 13 minutes, 46 seconds and provides comments from writer / director Quentin Tarantino, stunt coordinator Jeff Dashnaw, producers Pilar Savone and Stacey Sher, stunt men Nick Dashaw and Freddie Hice, boss wrangler Rusty Hendrickson, special effects supervisor John McLeod, quick draw expert Thell Reed, and actors Jamie Foxx and Christoph Waltz.