Sentences with phrase «title of the exhibition»

The bilingual title of this exhibition is more than a little unfortunate.

What exactly are we looking at, given the ambiguous title of the exhibition?

However, the very title of this exhibition promised more than it delivered.

Gupta's unique use of found objects we normally interact with in our daily lives serve as a representation of the dislocation in today's cultures caused by the constant shift in power and globalization.The title of the exhibition refers to the population of seven billion humans living on planet earth and its cosmic inverse.

If the unusual title of this exhibition at the National Museum of Modern Art Kyoto doesn't grab your attention, then the glittering list of 40 artists certainly will: Sanyu, Francis Bacon, Zao Wou - Ki, Cy Twombly, Gerhard Richter, Sugimoto Hiroshi, Andreas Gursky, Cai Guo - Qiang, Peter Doig, Marc Quinn, and the list goes on.

Carl Andre defined his work in 1966 as «sculpture as place», from which the current title of the exhibition comes from.

ANDREA DEL SARTO: THE RENAISSANCE WORKSHOP IN ACTION The snappy title of this exhibition reflects the vibrant, energetic nature of the Florentine artist named after his father's profession as a tailor («sarto»).

The coded title of the exhibition translates to «Crazy Female Foreigners Alive and Kicking» referencing Ashley's Scottish nationality and alluding to the instability of global politics, and the temporal existence of her sculptures inhabiting and moving through space.

Determining the correct titles of exhibitions and venues, as well as dates, materials and dimensions, and even the correct spelling of some paintings was at times another matter.

Sterling Ruby's show at Sprüth Magers Berlin features a large number of works including paintings, collages, and sculptures.The title of the exhibition, I AM NOT FREE BECAUSE I CAN BE EXPLODED ANYTIME, takes its name from a painting that Jenny Holzer and the graffiti artist Lady Pink created collaboratively in 1983.

The onomatopoeic title of the exhibition mimics the sound of helicopter blades in action, as commonly used in movie storyboards and comics.

The uniquely spelled title of the exhibition, «Mastry,» references Rythm Mastr, Marshall's comic series about a black super hero, but it more closely tethers to the ambitious goals of his practice.

Even the two - part title of her exhibition, Portikus Printing Plant and Portikus Sounds, points to the work's spatial and acoustic superimposition responsive to the divided exhibition space.

The intriguing title of the exhibition, L'Esprit d'Escalier, derives from the French phrase which literally means «wit of the staircase» and refers to the regret one feels after missing an opportunity to deliver a witty comeback or parting shot.

Beauty in Impermanence is the title of an exhibition of paintings by Joana Cutri an American who is inspired by Balinese life and culture and decided to live in Bali.

The title of the exhibition is «Final Fantasy 30th Anniversary Exhibition - Farewell Story Exhibition.»

The title of the exhibition translates to «Salon of the Rejected,» referencing an 1863 Paris exhibition organized by artists excluded from the official Paris Salon — an important annual show that could determine the fate of an artist's career.

The title of the exhibition is a play on words, referring to the act of «Yell» - ing «O!»

The title of the exhibition references the address of Binion's «birth house» in Macon, Mississippi.

Baltimore Museum of Art curators Christopher Bedford and Katy Siegel talk with Dia Art Foundation curator Courtney J. Martin about the title of the exhibition «Solidary and Solitary: The Joyner / Giuffrida Collection» at the Ogden Museum of Southern Art, September 30, 2017.

The title of the exhibition was taken from a conversation between the artists Jeff Wall and Lucas Blalock in which they argue for art that is experimental and mysterious.

The title of the exhibition, memoria, alludes to the phenomenon of time as memory, as awareness, where time should be understood as utopian time in contrast with the common notion of chronological time.

The title of the exhibition, The Memory of your Touch, alludes to a line in D.H. Lawrence's novel Lady Chatterley's Lover (1928).

The title of the exhibition comes from the Gikuyu words for mud and trees, the materials used to make the objects in Mutu's new body of work.

I have only just thought that the title of this exhibition may well be a pun, as well as a reference to the Robert Frost poem of the same name.

The title of the exhibition is the most concise description of the works on view: Blue Paintings Light to Dark One through Ten.

The title of the exhibition is derived from a series of six large - scale paintings, presented here for the first time, which embody Uecker's highly physical approach and explore various articulations of light and shadow.

The title of the exhibition refers to the error message that appears when a DVD malfunctions and the player skips over the unreadable section of the disc.

Intimate Abstraction - March 7th - April 5th 2013 The title of this exhibition derives partly from the size of the gallery and the choice of smaller works to include in it, but more importantly from the layers of meaning in the word intimate.

The title of the exhibition, therefore, is both the sound of a barking dog and a reference to ideas of ongoing processes that are underlying all of Condorelli's practice.

The title of the exhibition invokes the tour as a journey undertaken for pleasure or inspection — a contemplative invitation to the viewer with various way stations for connection, exchange and new perspectives.

As the title of the exhibition suggests, lapses in Thinking By the person I Am, one is confronted with not only typographical fragmentation, but also disconcertion for placing the work together with the train in some kind of logical context; by using the story of her body and objects that she interacts with, Pryde literally derails the misconceived notion that we are what we own.

The title of the exhibition, Electric Bathing, comes from Rem Koolhaas's Delirious New York in which, speaking of Coney Island, he writes: «Bright lights are placed at regular intervals along the surf line, so that now the sea can be enjoyed on a truly metropolitan shift system, giving those unable to reach the water in the day time a manmade, 12 hour extension -LSB-...] false daytime is not regarded as second rate.»

The title of the exhibition, Data / Transfer / Object, is a play - on - words referencing the technological transfer of data between systems.

The title of the exhibition - 13 983 birds - is also the title of a specific work included in the show, a text installation which references a current Swedish court case.

The title of the exhibition is also linked to Pierre Bourdieu's theory of cultural capital as something you possess or do not possess.

«The title of this exhibition comes from [Chakaia] Booker's process of cutting and rearranging materials to create a corpus - like cluster of pattern and texture.»

(The title of the exhibition derives, somewhat ironically, from Robert Louis Stevenson's statement: «There are no foreign lands.

The title of the exhibition references the seemingly impossible contemporary mythology of «sound fossils:» random recordings of sound vibrations located in objects like pottery or stone.

The title of the exhibition — Rose Ocean: Living with Duchamp — is a double Duchampian echo.