During the 1960s, Chamberlain executed a series of geometric paintings with sprayed automobile paint and tied
urethane foam sculptures before incorporating melted Plexiglas into his crushed metal sculptures in the 1970s.
In 2005, the Chinati Foundation hosted a temporary exhibition of most of the extant
foam sculptures in one of the former military barracks that Judd had also commandeered for the display of artworks.
During the reign of monochromatic American Minimalism, Benglis chose gaudy, radioactive - looking colors for her pours and pigmented
polyurethane foam sculptures.
An
abstract foam sculpture, a group of bloated glow - in - the - dark skeletons, and a rock - climbing painting relief share little in common with one another, yet they are all a part of Puff Pieces, an ongoing group exhibition at Rachel Uffner Gallery.
Soon she was expanding
into foam sculpture, creating them in situ in galleries, or casting them in aluminium and having them jut out of the wall like wings.
In his first major retrospective, at the Solomon R. Guggenheim Museum in New York in 1971, Chamberlain installed a giant barge in the rotunda, from which visitors could watch other visitors as they wandered along the ramp occupied by Chamberlain's metal, Plexiglas, and small -
scale foam sculptures.
From Clare Rojas's folk - inspired narrative paintings to Tim Hawkinson's cardboard and urethane
foam sculpture Scout (2006 - 2007)-- the artist's absurdly humorist take on the human figure — the works in this exhibition signal a bold, new direction for SJMA's permanent collection.
Born in the mountain city of Winterthur, Switzerland in 1926, Heidi Bucher moved to California in the 1960s, where she collaborated with her husband, Carl Bucher, on a series of oversized,
wearable foam sculptures.
At Inverleith House, the exhibition comprised Chamberlain's brightly coloured sculptures assembled from salvaged car parts (the earliest dating from 1965), his Sockets series (made from painted, crushed coffee tins), works in paper and Plexiglas and his influential Stuffed Dog series of radical,
influential foam sculptures.
Ben is a master of contradiction — he creates urethane
foam sculptures which look like neon toxic candy puke, embodying the uncontrollable inner lust for something that is in fact really bad for you.
IKEA chairs and clocks get infected
with foam sculptures at Inna Babaeva's solo show, «It's the Little Things That Matter.»
Nearby, a set of hangers rest on a white clothes railing, three of them bulbous and engorged with the
colorful foam sculptures.
But I wonder if it is not, paradoxically, in situations like that unforgettable occasion in Marfa in 2005 — with its fine - grained and apposite conjunction of metal and
foam sculptures in what were singular, even ideal circumstances — that his enduring contribuition will be best remembered.
He has worked with other mediums and materials, including two - dimensional paintings made with automobile paint, tied
urethane foam sculptures (both in the 1960s), and crushed metal and melted Plexiglas sculptures (in the 1970s).
During the same year, another retrospective of her entire work, with wool pictures, ceramics,
foam sculptures and collages was held at the WIELS Contemporary Art Centre in Brussels.
Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005 - 2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85
foam sculptures, constituting an almost complete catalogue of this group and an update to Chamberlain's catalogue raisonné of 1986.
The exhibition includes two John Chamberlain urethane
foam sculptures, «Untitled», c. 1967 — 1968 and «Untitled (# 4)», 1966 and Bruce Nauman's cast iron «Henry Moore Bound to Fail», 1967 — 1970.
Major exhibitions include: John Chamberlain:
Foam Sculptures 1966 - 1979 and Photographs 1989 - 2005, Chinati Foundation, Marfa, Texas (2005 - 6); Papier Paradisio.
⁵ Nonetheless, an almost infallible visual intelligence underpins his work — as Judd, his most perceptive and committed early champion, convincingly argued — and is at its most acute in the best of his metal and
foam sculptures.
All of the speakers reflected on different aspects of Chamberlain's practice from his photographs and
foam sculptures to his poetry and reliefs.
A special exhibition of
foam sculptures and photographs by John Chamberlain was on view at Chinati in 2005 - 06.
In addition to
the foam sculptures, Chinati also showed a wide selection of panoramic photographs by Chamberlain taken over the last 20 years.
A kinetic rebellion is felt in
the foam sculptures, whose overwhelmingly drippy shapes and soft textures — which would look like mold but for their day - glo colors — clash appropriately with the austere, perfect edges of the clocks, the chairs, the shelves, and other cookie - cutter furniture.
The bright colors and lightweight of
the foam sculptures deliberately disconcert the viewer by an apparent light - heartedness that is at odds with their more serious subject matter.