Sentences with phrase «image culture»

The show explores the current image culture through the work of over 20 multimedia artists.

Rail: There is a very ham - handed way that some people, to oppose the threat of screen culture and Internet image culture, are making overly material gooey paintings.

He often incorporates recognizable icons into his work, such as well - known advertising and branding campaigns, to explore the impact of mass image culture on the construction of identity.

Around the turn of the millennium, he, like many of us with a Mac, a scanner, and a printer, was trying to get his head around how such tools were quietly revolutionizing our contemporary image culture by making pictures easier to produce and reproduce than ever before.

With her romantic partner as muse, Rivera explores the evolution of image culture in relationship to identity, sexuality, and gender.

«These days, beauty is not in fashion,» says Richter, who has explored painting and its role in image culture for decades on his quest for a form of painting that corresponds to contemporary challenges.

«The final room is given over to contemporary abstraction and, perhaps inevitably, reflects the dilemma of current photographic practice in our profligate image culture.

The other one would be Daniel Boorstin's The Image, a supremely genius work about image culture.

«Her work is both beautiful and powerful, deeply connected to the issues of our time and a counter-example to the speed and disposability of image culture today.»

Using materials taken from amateur photographers» how - to manuals from the 1970s, Lipps make the case that the supposedly Internet - derived, algorithmic image culture so widespread today may actually find its roots in the feverish popularity of the low - cost Brownie camera of the 1950s and the ubiquitous Fujifilm disposable point - and - shoot of the»80s.

His practice pits the active image of the past against todayʼs screen - based image culture of slick and banal immediacy.

While Behlau frequently takes inspiration from other artists, Loesch freely avails himself of elements from popular image culture.

Yet whereas today's image culture demands speed, Gnoli's art suggests another kind of looking: a slow, poetic, and ultimately mysterious gaze in which the commonplace acquires new dimension.

The vast image culture of our globalized existence is an arena wrought with diverse and often conflicting ideologies.

Although Salle is a New York figure we associate with the bombastic successes of Julian Schnabel or Francesco Clemente, he seems to be doing something more subtle and suggestive with image culture, something that doesn't quite connect with this social context in New York.

Driven by a new generation of artists in the mid-1950s to the mid-1970s who broke from previous traditions, Pop celebrated, cannibalized, and assimilated image culture accelerated by television, advertising, and print media.

ALEXIS DAHAN — Do you feel like your work belongs to today's digital image culture?

Also featured in the publication are stills from newly produced films, Telegraph (2012) and Encre Chine (2012), as well as reproductions of paintings and works on paper developed from the recurring visual motif of a photograph of a sailboat — continuing Sietsema's ongoing investigation into the mechanics of knowledge and history within image culture.

In The Conventional Codes Of, four artists break down the idealized image culture holds of the formal world.

Casting a wide net, this L.A. - based German artist brings together both geographies in paintings and sculpture with obvious juxtapositions between German Romanticism and American image culture.

Together with a group of young artists — including Robert Longo, Barbara Kruger, Sherrie Levine, Richard Prince and Louise Lawler — Sherman was critical about contemporary image culture and the rise of image consumerism that both drove emerging mass media like television and was celebrated in it.

A welcome playfulness amidst the dissection of our profligate image culture.

A counter-example to the speed and disposability of image culture today, Leonard's photographs, sculptures and installations ask the viewer to reengage with how we see.

Her regionally and nationally recognized work has critically addressed constructions of femininity and desire in image culture, the politics of literacy, institutional manipulations of language, and civic and cultural publicness.

Salle comments: «The main quality of image culture is its relentlessness.

Throughout the summer, school - aged children and adults can discover and enjoy contemporary photography and image culture and participate in fun and playful learning experiences together.

She had no problem to appropriate some of the most iconic artworks, exploring the issues of originality, authorship, and the interior structures of art and image culture.

Artist and critic Brian O'Doherty coined the term «vernacular glance» in 1973 to describe Rauschenberg's relationship to image culture.

This same wry spirit inhabits much of her work, amplifying the self - awareness and complicity in her relationship to contemporary image culture.

Kim's practices consistently navigate his distinct nostalgic and imaginative sensibility towards human perception and concerns of contemporary image culture.

Her recently published book, Duty Free Art: Art in the Age of Planetary Civil War, poses uncomfortable questions about today's image culture and the art market.

Her work often explores female identity making reference to mythology and art history and drawing associations between these elements and contemporary image culture.»

As a new exhibition, Christopher Williams: The Production Line of Happiness, at the Museum of Modern Art in New York suggests, perhaps no artist has done more over the last 30 years to explore the specific «social relations among people» that our image culture and media embody and conceal than the American - born and Düsseldorf - based conceptual artist Christopher Williams (b. 1956).

Given all the cribbing and quotation, and the speed with which it all appeared (Majerus produced something like 1,500 works during his short career), what's obvious to note, at least, as many have, in retrospect, is that Majerus brought the promiscuity of the Internet's image culture to bear on his artistic work in a manner that few artists have.

Meanwhile portraits, random still lifes and diaristic snapshots somehow combined in a (just about) unified vision that is perfectly in tune with the thrust of our profligate image culture.

Both homage and critique, the works compound minimalist principles with contemporary references to image culture, privacy rights, and sexualization of women in the media.

Sturtevant (American, b. 1924) began «repeating» the works of her contemporaries in 1964, using some of the most iconic artworks of her generation as a source and catalyst for the exploration of originality, authorship, and the interior structures of art and image culture.

Continuing a long - standing critical interest in landscape and image culture, Handelman explores how Heade's colonial project slides into a proliferation of differencing within the proposed.

These richly saturated images evoke the density of our image culture while walking the line of beauty, exploitation and anxiety.