Sentences with phrase «midnight movie»

The phrase "midnight movie" refers to a film that is shown in theaters late at night, usually past regular movie showtimes. These movies often have a cult following and can be unconventional, artsy, or even strange. They are popular among people who enjoy unique and alternative cinema experiences. Full definition
The Room is a favourite of midnight movie audiences around the world.
Some claim that it's a sexually provocative experience while others have called it a so - bad - it's - good midnight movie.
That and it already, by midnight movie standards and beyond, is some kind of masterpiece.
Leading to one of the most infamous, bizarre, and beloved midnight movies of all time, The Room.
With the woods laced in booby traps and a killer kid behind all the carnage, Cub offers a standard, yet fun midnight movie with enough of the red stuff to find a cozy little spot in the genre.
The infamous 2003 self - made, self - promoted indie flop turned midnight movie sensation is filled with bad acting, worse continuity and an incomprehensibly soapy plot about love and betrayal.
«The Room,» which Wiseau intended as a dramatic masterpiece in the vein of «A Streetcar Named Desire» or «Rebel Without a Cause,» became a cult sensation in midnight movie screenings all across the country.
The «Lord of the Rings» films turned Peter Jackson from midnight movie auteur to Oscar - winning superstar, but Tolkien wasn't the only influence on his style.
I totally get the after midnight movie premiere high, although I haven't seen Guardians of the Galaxy yet.
«Mad Max,» «Mad Max 2: The Road Warrior» and «Mad Max Beyond Thunderdome» operate quite well as fun midnight movies as a result (partly because the villains are so comical), but that's about the extent of their entertainment value.
How did a form of entertainment that used to only exist in darkened, midnight movie theaters become a regular part of our lives?
And while the film contains elements of the previous Drafthouse treasure Ms. 45, Abel Ferrara's provocative and powerful tale of feminist revenge, Dangerous Men is more in line with some of Drafthouse's less accomplished offerings, such as the newly minted midnight movie staple, Miami Connection.
Its confusion is understandable: Warners topped the box office this weekend with «Kong: Skull Island,» and «The Disaster Artist» is a biopic starring Franco as Tommy Wiseau, the Ed Wood - like director of the craptastic midnight movie phenomenon «The Room.»
But the movie hasn't been selling out midnight movie screenings across the country over the past 14 years because of its plot, obviously: People go for the indescribably weird sexual vibes, the meteor - crater - sized plot holes, the green - screen skyline, the d - r - a-m-a.
Simon Abrams talks to the filmmaker about midnight movies, meeting Alejandro Jodorowsky, and the possibility that he might day make a Wonder Woman movie.
The Sundance Film Festival midnight movie Grabbers can claim at least one thing we've never seen before.
It's worth noting that to date, 31 is the second Sundance Midnight movie to feature Nazi midgets (see, or rather don't see, Yoga Hosers).
The infamous 2003 self - made, self - promoted indie flop turned midnight movie sensation is...
It's hard to avoid talking about Tommy Wiseau's certified midnight movie even if you aren't an avid fan, as it's the stuff that internet memes are made of.
Marfa Myths Midnight Movie featuring «A Poem Is a Naked Person,» about singer - songwriter and Rock and Roll Hall of Famer Leon Russell as filmed by documentarian Les Blank between 1972 and 1974.
One of two midnight movies playing at the festival, this film from the writing team behind Airplane!
It's no slight against Coralie Fargeat's vivid, vicious Revenge — a film that will set midnight movie devotees cheering for generations — that you've probably seen every scene in it before, in some form or another.
Per The Hollywood Reporter, this Jennifer Juniper Stratford film is a «science fiction tale told in the style of classic B - movies and outfitted with practical special effects, laser beams and lunatic ideas which are guaranteed to make it the next big midnight movie hit.»
The Victim is a labor of love, and despite the thin narrative and low - budget shortcomings, the film makes for an interesting midnight movie.
It's been over a decade since we first entered The Room, but the cult midnight movie still draws legions of new fans and the legend around its mysterious auteur / creator Tommy Wiseau continues to build.
Film - geek auteur projects, psychotronic fanboy - friendly blockbusters, over-the-top midnight movies, under - the - radar indie dramas and more music documentaries than you can shake a D.A. Pennebraker - approved stick at — the annual SXSW Film Festival (kicking off on March 10th) has always specialized in a sort of eclectic, lo - fi - meets - high - art - for - a-Shiner-Bock vibe when it comes to their programming.
As «Beyond the Black Rainbow» director Cosmatos reinvents himself right before our eyes as a high - voltage action filmmaker, Cage ascends to status of Midnight movie god in one amazing (and amazingly gory) battle after the next.
Somehow you've managed to stretch what could've been an impressive twenty - minute short into a bland full - length feature that only stands out because it could actually pass as a B - grade midnight movie from the 1980's.
«Today, few midnight movies meet the standard as defined by [former theater owner Ben] Barenholtz.
Finally, eOne has snared midnight movie «We Are What We Are» beating several other bidders including Magnolia, Lionsgate and Drafthouse.
The movie is difficult to watch, often intensely brutal, yet ultimately humane and life - affirming, never crossing the line into either midnight movie excess or pointlessly arty affectation.
I had two reviews published on Hammer to Nail this past week, for the aggressively (and intentionally) off - putting midnight movie The Greasy Strangler and the powerful documentary Theo Who Lived, which tells the story of journalist Peter Theo Padnos, who survived a two - year kidnapping by an affiliate of Al Qaeda.
Midnight movie mayhem as mysterious robed assailants lay siege to Marsh County Memorial Hospital, forcing the occupants to confront the failed scientific experiments of a deranged cult leader.
Though Tarantino may argue otherwise, Mighty Peking Man is one terrible movie, but rarely are bad movies quite this giddily laughable — making it ideal midnight movie fodder.
Speaking straight to the outcast and ill at ease in us all, Howden heaves this mettlesome, indelicate and scatological midnight movie masterpiece all over us, and it's a satiating mess.
Despite it feeling like an amateur production, «Kaboom» is a weird, crazy, Skittles - colored midnight movie with the stylemarks of spawning a cult status.
A musical mashup of The Phantom of the Opera and Faust, it's also a playful piss - take on pop music that takes the inspired form of the ultimate midnight movie.
«I wanted to make a proper midnight movie,» says Wheatley diligently, «like when you're watching a Jodorowsky or Eraserhead or those kinds of films, and if we make it a certain budget we'll be completely left alone to do that, so we did.»
I also love anthology horror flicks, and this has the potential to be midnight movie cool while still being artistically accomplished.
Cosmatos gives him plenty of opportunities in this hypnotic midnight movie, which veers from astonishing, expressionistic exchanges to gory mayhem without an iota of compromise.
It's an exceptionally unusual and engrossing work, a sort of midnight movie crossed with Masterpiece Theater.
From the get, director Johannes Roberts (47 Meters Down) abandons all pretense of heightening his horror film with dramatic subtexts and characters with more than one dimension — this is midnight movie fare through and through.
The Turkish midnight movie boasts an especially disturbing core concept and an abundance of haunting and grotesque visuals, but the narrative doesn't support them so what could have been a riotous third act bloodbath winds up feeling entirely unnecessary and miserable to sit through.
That's the challenge of this film in which James Franco plays Tommy Wiseau, director and star of «The Room,» a movie so bad it became a cult fave and midnight movie overnight.
If you live in New York or L.A. or anywhere with a vibrant midnight movie scene, you probably know about The Room, an overwrought tale of human relationships with unimaginably clunky dialogue written by, directed by, produced by, and starring Wiseau, an affable man with the long hair of a vampire rock star and a vaguely Eastern European accent.
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