Sentences with phrase «one's contribution to the exhibition»

Your 100 percent tax deductible gift will serve as a direct contribution to our exhibitions, which will feature a truly spectacular slate over the next 12 months.

Rosemary Hawkins's contribution to the exhibition includes works in color infrared and medium - format pinhole photography.

Hopps thanks the «6» gallery in his introductory notes, «Action Paintings of the West Coast,» for contributions to the exhibition, the first display of «action painting» or Abstract Expressionism, as Hopps proclaims, «largely from the Bay Area and Los Angeles.»

His extensive writing credits include a wide range of contributions to exhibition catalogues as well as numerous contributions to Artforum, Frieze, Flash Art, and Parkett.

Our library furniture was generously provided by Bright Lyons in Brooklyn, run by Paul Bright whose contribution to the exhibition is an installation of his massive zine collection installed on the back wall of the gallery.

Presenting more than fifty works, it traces Takamatsu's artistic practice through his exhibition history, showing his participation in landmark international exhibitions, such as Venice Biennale (1968) and Documenta 6 (1977), and contributions to exhibitions in Japan where experimental practices flourished, including the annual Yomiuri Indépendant (1958 - 63), Tokyo Biennale: Between Man and Matter (1970) and Osaka Expo (1970).

Tom Eccles and Johanna Burton state: «We are grateful to the astonishing list of artists with whom we have been proud to work with in the past, and whose significant contributions to this exhibition will sustain the future of the Center for Curatorial Studies.»

In addition to the exhibition catalog, Artpark: 1974 - 1984, which was co-published by Princeton Architectural Press (2010), Sandra Firmin has published contributions to exhibition catalogues for Max Protetch (New York, 2008) and the Wharf, Centre d'art contemporain de Basse - Normandie (2007).

This warm - hearted, pre-Christmas evening also offers an introduction of Sternfeld's work in the 2013 Carnegie International by co-curator Tina Kukielski, as well as a visit with Wade to the very exclusive Founders Room, where his second contribution to the exhibition is located.

Special thanks to Charlotte Eyerman and Danielle Jackson for their essay contributions to the exhibition catalogue, as well as Jesse Siegel and Doug Filiak for its design and production.

On 13 December, Richter's contribution to the exhibition series, Volker Bradke, features a multi-media portrait of a local student who is part of the Düsseldorf art scene.

Writers Carol Tulloch and David Dibosa's contribution to the exhibition guide and text interventions in the exhibition provide a series of references for the viewer.

As the various artists» contributions to the exhibition illustrate, our modern life science questions both the line between naturalness and artificiality and the ontology of objects of all kinds.

Beyond their strong contributions to the exhibition, we feel confident that these artists will continue to contribute to the field and participate meaningfully in the conversations and debates that characterize contemporary art practices well into the future.

Dr. Wang's contributions to exhibitions include work on Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan, and the reinstallation of the Freer Gallery's ancient Chinese art collection.

The exhibition shows Takamatsu's participation in landmark international exhibitions, such as Venice Biennale (1968) and Documenta 6 (1977), and contributions to exhibitions in Japan where experimental practices flourished, including the annual Yomiuri Indépendant (1958 - 63), Tokyo Biennial: Between Man and Matter (1970) and Expo» 70, Osaka (1970).

When rethinking what the North American contribution to this exhibition should be in the Latin American leg of its itinerary, I have tried to remain true to our original intention of attesting to the variety of options explored by artists working in the field of video and of recognizing the existing relationship between these personal aesthetic representations and the enormous macro-system that is commercial television.

Aside from my installation, I supplied a sound excerpt for an artist — Stephen Vitiello — whose contribution to the exhibition was a CD - ROM, and I also supplied an image, a photograph for the catalog.

Trustee of Castlefield Gallery (and curator at Manchester Art Gallery) Kate Jesson made the exciting announcement last night during her opening speech where she described Gander's contribution to exhibition, the artwork Porthole to Culturefield Revisited as a valuable reminder of having spaces like his imagined Culturefield as a source and generator of creative energy.

Her contribution to the exhibition includes sweaters with hand - knit political jokes and riddles, as well as «cover girl» self - portrait photographs featuring the artist in deadpan poses revealing the artist's sly sense of humor.

Samuel Provenza's point - study steel sculptures and Jeffrey Pastorek's narrative portrait grids represent the New Orleans artist's contribution to the exhibition.

Such projects include the Triennial ad campaign Extended Release (2015), which was conceived and designed by New York artist collective K - HOLE and serves as the group's contribution to the exhibition.

The artists» contributions to this exhibition are all testaments to the inspiration and impact Du Bois has had on their lives and artistic practice.

The Swedish artist Henrik Håkansson has made a new sound work of birdsongs in Central Park for his contribution to the exhibition.

Describing Soda's contribution to the exhibition, Moravec writes: «Molly Soda's sound - video installations show her in her private spaces, acting in a casual manner in front of her virtual audience.

«Subtitled by the minimalist poet and writer Aram Saroyan as his contribution to the exhibition, Made in L.A. 2016: a, the, though, only extends into such disciplines as dance, fashion, literature, music, film, and performance.»

One month later, at Documenta 5 in Kassel, Beuys installed an office of his Organization for Direct Democracy by Referendum as his contribution to the exhibition.

Taylor's Tasered (2006), his contribution to this exhibition, is painted in colours rich yet flat, with brushstrokes at once careful and urgent; the painting is both responsive and considered.

This is Family Pictures (2016), Steve Locke's contribution to the exhibition, a group show of works by artists of colour that takes as its subject uncomfortable conversations.

Her contribution to the exhibition includes sweaters with hand - knit political jokes and riddles, as well as «cover girl» self - portrait photographs featuring the artist in deadpan poses revealing the her sly sense of humor.

When Nicole Eisenman visited Münster last year to plan her contribution to the exhibition — she described it as «a big, elegant, flat, grassy lawn and a very kind of sharp, midcentury modern — style infinity pool carved into the middle of it, and then a bunch of sloppy - ass plaster sculptures in and around it, dripping and leaking» — she and König toured the city on bikes, which is the preferred method for viewing the show.

As her contribution to the exhibition, Cally Spooner will lead a four - day Study Week called: «Please remember when you get inside the gates you are part of the show.»

As her contribution to the exhibition, The Practice of Theories, Cally Spooner will lead a four - day Study Week.

Her contribution to the exhibition consists of three new oils, each of which are less instances of emergent figuration than repurposed abstract forms that unite to suggest just that: the figure.

One of Hammons» contributions to the exhibition was African - American Flag flying in the courtyard of the Museumplein for the duration of the show.

His contributions to exhibition catalogs include one for the landmark traveling show Double Consciousness: Black Conceptual Art Since 1970, presented at the Contemporary Arts Museum Houston.

Contributions to this exhibition were made by Atis Puampai, Baixin Chen, Kainoa Gruspe, Sheanae Tam, Brad Taylor, Nick Hunsinger, Charles Cohan, Gaye Continue Reading»

As his contribution to the exhibition, Joe Scanlan presents the up - and - coming artist, Donelle Woolford who, at set times, is using one of the ICA's upper galleries as a studio to construct her own sculptures.

The very first joint project between the Rüdiger Schöttle Gallery and Jeff Wall was a contribution to the exhibition «Westkunst», which took place in Cologne in 1981 and was curated by Kaspar König and Lazlo Glozer.

Obstructed View is a durational performance for two figures by New York - based artist Jonathan VanDyke, part of his contribution to the exhibition Comi... Read more

Interrupted Careers» at the Neue Gesellschaft für Bildende Kunst, Berlin, in 2002 (curated by Frank Wagner), «Jochen Klein» at Kunstraum Munich and Cubitt, London, in 1998, «From the Corner of the Eye» at the Stedelijk Museum, Amsterdam, in 1998, and «Oh Boy it's a Girl — Feminismen in der Kunst» at Kunstverein München in 1994 (Jochen Klein's contribution to this exhibition was a collaboration with the artist Thomas Eggerer).

Holacracy Mike Pepi For his contribution to the exhibition catalog for Office Space, curated by Ceci Moss at Yerba Buena Center for the Arts, Mike Pepi dissects Holacracy, the new management philosophy sweeping Silicon Valley.

Joyce's service to Fountain House Gallery ranges far beyond her contribution to this exhibition.

We are thankful to Robin Peckham for his contribution to the exhibition catalogue, an insightful and unique viewpoint into the world of Carlos Cruz - Diez from the perspective of today's Asia Pacific.

With Is it Possible to Do Nothing as My Contribution to This Exhibition?