The show sheds light on the question of a possible conclusion of an oeuvre — with a sharply focused selection
of artistic positions from the late 19th century through to the present.
The inaugural exhibition involves 23
international artistic positions; 13 of those were already represented by the gallery, whilst 10 new artists will document a continuously maturing program.
In addition to a wide range of
outstanding artistic positions, the fair will supply a supporting programme consisting of artist and curatorial talks, special exhibitions and further events.
Since its beginning, the activities of the gallery have focused on the discovery and promotion of
unique artistic positions beyond popular trends.
This template is ideal
for artistic positions or anything creative that still requires objective results from applicants.
Furthermore the program is complemented with several new
artistic positions at a time after long processes.
The exhibition approaches the two phenomena that draw on the unconscious, the dream as well as the psychic injury — the trauma, with over 40
contemporary artistic positions.
The industrial architecture of the building allows for interactions and dialogue between
individual artistic positions, as well as for independently staged statements.
Emerging from this cluster
of artistic positions, what could we make out to be the role of the artist and the function of art?
They offer an impressive survey of some of the most important international
artistic positions in the four decades between 1960 and 2000, but at the same time reflect the history of the Galerie Paul Maenz, whose self - perception as an avant - garde showcase set new standards in West Germany.
Ziefer:» As a curator, one of my main goals is to encourage a dialogue between
different artistic positions from varied backgrounds and younger emerging names and bring them into a dialogue with art works by established artists.
As a curator, one of my main goals is to encourage a dialogue between different
artistic positions from varied backgrounds and younger emerging names and bring them into a dialogue with art works by established artists.
The SCHIRN KUNSTHALLE FRANKFURT has presented major surveys dedicated to radical turn - of - the - century Austrian art, to pioneering
artistic positions ranging from Expressionism and Dadaism to the Surrealist object art by Dalí and Man Ray, as well as dealt for the first time with female artists of the Impressionist movement.
The Politics of Redistribution (curated by Sabine Winkler) at Magazin4 Bregenzer Kunstverein is an exhibition that
shows artistic positions dealing with today's economic situation.
For the first time since 2007, the gallery spaces in the Villa Salve Hospes are being filled with a thematic group exhibition: OPEN HOUSE — A Group Show on Hospitality brings together eleven international
artistic positions whose works provide commentaries on hospitality as a social, cultural and political phenomenon.
Through bringing
together artistic positions from all manner of countries — from Germany, England, Belgium, and the United States to Turkey, Israel, or Libya — it hence encourages reflection not least on what political participation can look like and the consequences it entails in each case.
Rauschenberg's work from the early 1950s does not present an easily
quantifiable artistic position; rather, it suggests an openness to the world, to language, to raw material, and to process that remains relevant today.
1982 seeks instead to temporarily disrupt such hierarchies by privileging the coexistence of distinct and
idiosyncratic artistic positions, through a group of artworks that have little in common apart from the fact that they were produced in close — chronological — proximity to one another.
Curator Branka Benčić elaborates further: «
Artistic positions engage with issues of (re) presentation, structure and construction of the work of art, or the act of «exhibiting» itself, pointing to tensions between the observer and the observed, exploring spatial relationships and interactions between objects.»
Crow discusses its deep roots in the revival of folk art and music, as well as the innovative graphic design that preceded and paralleled its success; Manchanda considers the ways consumer display and a fascination with celebrity culture have
shaped artistic positions in recent years.
But Majerus's submission to his American references is undercut by the paradoxical status of the tiled painting installation as both an assertion of the primacy of network commodification and a restatement of Kippenberger's constellating of painterly modes as a satire on the postmodern diminishment of the intrinsic value of any
single artistic position.
The two narratives in the show — his
unwavering artistic position and the persecution he faced for it — were a powerful manifestation of this complicated period in Chinese culture.
The first
privileging artistic positions embracing the psychological, instinctual and erotic, or which depend on notions of chance, the uncanny and accidental.
The creative climate of early 2013 validates his enthusiasm, as this new generation starts to enter the stage with a new set of radical and
compelling artistic positions.
Exile does not follow any particular trend, style, school or taste but aims to present
independent artistic positions that operate through their distinct vision and identity.
Since it was established in 1991, Galerie Thomas Schulte's ongoing focus has been placed on nurturing, supporting, and sustaining outstanding and
inspiring artistic positions in international conceptual art spanning from the 1960's to the present.
After the solo projects of Nathalie du Pasquier, Babette Mangolte, and Sarah Morris, Camille Henrot's exhibition is another homage to an inspiring and influential
female artistic position.
Dialogues aims to bring together different
artistic positions while initiating an examination of the frameworks, structures and reoccurring concepts present in the exhibition.
By juxtaposing five
artistic positions as different proposals for a way forward, the show explores attitudes towards cultural histories and monumentality as well as the constant human condition of entropy and re-awakening.
The reactivation of this icon of modernist architecture is effected via the presentation of eight
artistic positions by Shaina Anand, Luca Frei, Group Material, Christine und Irene Hohenbüchler, Jenny Holzer, Sora Kim, Sarah Pierce, and Kateřina Šedá, each distinguished by its poetic approach to social engagement.
Utilizing artist spaces as a format, the series of exhibitions is devoted to the differences and similarities of
various artistic positions.
Together with the exhibition Thomas Feuerstein: PSYCHOPROSA (May 29 — August 30, 2015) this exhibition was part of the summer program 2015 at Frankfurter Kunstverein that focuses on
monographic artistic positions that raise socially relevant topics in the broader context of art and science, and took another look at realities in today's society and what they can be in the future.
For the artists, the natural and built environments are both a source of haptic pleasures and a playground for exploration and critical dissent in which landscape and architecture function as stage - like objects or ciphers for memory, social and political networks and
Romantic artistic positions.
«Anatomy of the Digital» explores several of these highly
diverse artistic positions, which draw on elements from the digital, whilst also relating to the discipline of spatial work in all its facets.
In addition to these highly
acclaimed artistic positions, the gallery also represents contemporary artists like Norbert Prangenberg, Paco Knöller and Leiko Ikemura, as well as photographers Sally Mann, Mimmo Jodice, Robert Polidori and Lynn Davis.