Sentences with phrase «commercial culture»

The Pop Art movement gave artists permission to produce imagery that is void of content altogether as a critique on mass commercial culture, text notwithstanding.

Nowadays, though, most commercial cultured butter is «cultured» by the incorporation of bacterial cultures.

Her projects transform the remnants of dysfunctional commercial culture, revealing the inherent problems as well as the latent aesthetic potential within inner - city ruin.

Danielle Dean (b. 1982, United Kingdom) examines how radical political rhetoric becomes embedded in commercial culture.

From the overtly politicised visual language of Kiki Kogelnik's anti-war sculpture Bombs in Love (1962) and Eulàlia Grau's photographic montages, the exhibition reveals the subversive underbelly of Pop's exploration of modern commercial culture.

While Pop artists like Andy Warhol with his Brillo Boxes and Campbell's soup cans may have introduced the idea of a basic consumer brands as fodder for fine art, it wasn't until the»80s that artists began using commercial culture as an artistic medium in and of itself.

As corporations vie more and more aggressively for young consumers, popular culture — which traditionally evolves from creative self - expression that captures and informs shared experience — is being smothered by commercial culture relentlessly sold to children by people who value them for their consumption, not their creativity.

One of the most celebrated American conceptual artists, Barbara Kruger is best known for layering photographs with provocative statements on issues surrounding commercial culture, feminism, and identity politics.

The pieces integrate appropriations from commercial culture and combine multiple mediums to parody and critique previous conceptions of high art.

Our lives are ruled by an insistent commercial culture that is a parody of any tradition.

The air, sunlight, soil, forests, various life forms and water are all being affected adversely by the modern industrial, commercial culture which is not establishing a sustainable relationship with the natural world.

When children adopt the values that dominate commercial culture — dependence on the things we buy for life satisfaction, a «me first» attitude, conformity, impulse buying, and unthinking brand loyalty — the health of democracy and sustainability of our planet are threatened.

We have a crass commercial culture that is totally about what you look like, how much money you make, the car you drive, the house you live in, etc..

While she supports and exploits an expanding commercial culture, her «contesting» also grants the Ryans literal income — prize monies, cars and trips to cash in, supermarket giveaways.

The employer was not willing to take the risks associated with hiring someone who did not understand the norms of the dominant commercial culture (DCC.)

Where Warhol made commercial culture his subject, Guyton is making it his collaborator.

Pioneering young artists, mostly from New York City, exploited the rising commercial culture and used it to launch a brand new artistic rebirth.

And this all took place against a background of a fearsomely efficient commercial culture, the one that had employed a young Warhol as illustrator, in which denials grow harder to hear anyhow.

American conceptual artist Barbara Kruger is best known for her layered photographs, featuring provocative statements on issues like commercial culture, feminism, and identity politics.

Born in San Antonio and based in New York City, Alejandro Diaz uses everyday material to elaborate notions of contemporary commercial culture.

He is interested in forms of urban commercial culture and has written on New York City's culture and politics in the first half of the 19th century and part of The Cambridge History of the American Theatre.

Commonly associated with artists such as Andy Warhol, Roy Lichtenstein and Jasper Jones, pop art draws its inspiration from popular and commercial culture such as advertising, pop music, movies and the media.

Media and commercial culture played an important role in Katz's work of the 1960s, which drew from film, television, and billboard advertising.

From 1959 to 1961 he lived in New York on a Harkness Fellowship, producing paintings that combined the formal qualities of the work of American abstract painters, with references to American commercial culture, with its lush seductive colours, exploitation of magnification and soft - focus effects and, generally, its stimulation of desire and fantasy.

99 Days is comprised largely of images of people and their relationships to social space, the urban environment, solitude, the campaign trail and commercial culture during these politically heightened times.

Section three, «Everyday,» looks at production from 1950 - 1970, when artists like Andy Warhol, Roy Lichtenstein, Gerhard Richter, and Richard Hamilton turned to commonplace objects to explore the influence of commercial culture on the arts.

James Rosenquist, one of the seminal figures of the Pop art movement, who took as his inspiration the subject and style of modern commercial culture.

For the artistic viability of postmodernism is a direct consequence, again, not of any new facts about art, but of facts about the new importance of mass commercial culture.

Similarly, Barbara Kruger uses photography for provocative statements on issues surrounding commercial culture, feminism, and identity politics.

integrate appropriations from commercial culture and combine multiple mediums to parody and critique previous conceptions of high art.

Evident in aesthetics, historical events, and an increasingly rapid course of redundancy and renewal in commercial culture, the Biennale reflects on this process of, often violent, events of destruction or self - destruction — burning the home one occupies — followed by the promise of the new and the hope for change.

Again, though, his ambivalence extends just as much to slick surfaces and commercial culture as to fine art.

In a recent work entitled «Custom Interior» (2011), Si - Qin repositions the way we perceive the products of commercial culture by way of genetic and memetic relations between the body and consumer products.

The cult television favorite Portlandia gently satirizes a commercial culture full of artisan - obsessives trafficking in such esoterica as $ 68 handmade light bulbs.

As my friend and fellow philosopher Alexei Marcoux wrote, «To survive and flourish... a commercial culture must be populated in significant part by individuals possessing the virtues, habits, and dispositions that complement classically liberal institutions.»

This view of the critic sounds quaint in today's commercial culture.

I will always consider the abortion that Time and commercial culture in general committed on the death - of - God movement to be one of the all - time mortal sins against the intellectual - mystical life of our nation.

Adam Smith, a founding theorist of capitalism, agreed with many criticisms of commercial culture.

It's just ridiculous how much stuff our commercial culture leads us to believe is necessary for a baby.

Scripted by leading lady Sylvia Chung — who co-stars with Chow Yun - Fat as the secretly entangled, openly warring bosses of a major import - export company — To's film has much more to say about workplace politics, commercial culture and the roots of the financial crash than its gaudy, giddy exterior might suggest.

Our input into the LCN design picked up on the lateral learning within the commercial culture of businesses in Silicon Valley in the 1980's when that valley became the global leader in computer technology.

- Booklist «Fforde's fantasy is smart, funny, and abundantly imaginative in its critique of commercial culture.»

In the long run, our children's immersion in this commercial culture has implications that go far beyond what they buy or don't buy.

Pop Life: Everyone needs a Thrill traces an arc from the 1950s to the mid-1960s, when there was a massive shift from Abstract Expressionism to work that began to reference and incorporate the symbols of an exploding consumer and commercial culture, ultimately giving rise to Pop art.

These works use motifs found in popular and commercial culture, often presenting them in a way that challenges our perception and acceptance of these everyday goods and services, as well as everyday lives.