The works range from large - scale paintings to small works on paper, accompanied by a
number of photographic prints, which, as Cramerotti explores in his essay for the catalogue, reveal not only some of the complex dynamics at work in Scully's practice as regards relationships of colour and form, but also encourage viewers to consider the notion of «edges», and in particular the connections between edges in his paintings and those in architecture and in nature.
The series
of photographic prints of the photo shoot capture the artificial and absurd aspects of Fujiwara's original proposition to recreate the missing picture.
Concerned with the interaction between hand and eye in relation to the photographic image, Zexter's complex works explore memory and personal experience while manipulating the generic
qualities of the photographic print.
Including works by Aaron Siskind, André Kertész, Frederick Evans, Robert Doisneau, Diane Arbus, Keith Smith, Constantin Brancusi, Francesca Woodman, Alfred Stieglitz, Erwin Blumenfeld and John Wood, this exclusive collection reveals the artist's transformation
of a photographic print into a singular, unique artwork through his / her annotation or inscription.
What if an artist created a digital currency called Bitchcoin that was backed by photography assets at a fixed exchange rate of 1 Bitchcoin to 25 square
inches of photographic print?
Red Roses for a Blue Lady, Damon Zucconi's second exhibition at JTT,
consists of photographic prints, a series of pre-existing books re-published by the artist, four web - accessible works, and a video.
From this photograph, not just its image of Freud but the physical distressed
condition of the photographic print itself, that Johns has based a group of nearly two dozen paintings, drawings and prints.
The exhibited works are reproduced and presented in ways to question and problematise conventions relating to photography as art, the
value of the photographic print and the perceived value of its index as communicated through the physical qualities of said print.
With his E.I. series, Cairns has taken the
idea of photographic printing to new levels, creating works that present his dystopian city scenes petrified in e-reader screens.
Maintaining diverse and extensive
holdings of photographic prints, the gallery includes such masters as Eugène Atget, Henri Cartier - Bresson, Bruce Davidson, André Kertész, William Klein, Gordon Parks, Edward Steichen, Paul Strand, Josef Sudek, and Edward Weston on its roster of artists.
These experiments would result in a
group of photographic prints as well as footage for a related film, both dealing with filmic / photographic representation of the human body in relation to mortality.
That particular genre is in many respects the polar opposite of uptight perfection, with its canvases rumpled and littered by everything from cigarette butts to charcoal to sand — all of which would be anathema to the clean lens and the pristine print — yet here Labatte slyly rearticulates the painterly gestures in an ecstatic series
of photographic prints titled «Spotting,» 2014.
The show features work by five international contemporary artists who address questions of form, colour, movement and the surface
dynamics of the photographic print, alongside two unique sound pieces created to respond to the visual work.
Barateiro's work looks at narration and ideology and for All The Revolving Cells is presented in the
form of a photographic print, «Fulfillment Centre», an HD video played on a monitor and a vinyl print pasted on the wall above — the latter both titled «The Current Situation» (2015).
The
surface of the photographic print is explored in a new exhibition at Dye House, which focuses on the fluid nature in which it moves between two and three dimensions.
Appearance and illusion, the historical nature of cameras and
of the photographic print, what we see or think we see in the act of perception, and how things are revealed photographically have long been at play in Welling's work.
On view for the first time in the United States and in collaboration with Attillio Maranzano, Carsten Höller presents two works, Pistoia Amore and Tortoreto Ondablu, both 2007, from a new series
of photographic prints.
The artist engraves clipped poems reminiscent of haiku onto the surface
of these photographic prints, as if visualizing a voiceover commentary.
Hage's works may take the form
of photographic prints, sculpture, video or installation but is rooted within a contemporary photographic discourse.
This exhibition focuses on two areas of work: her abstracts — paintings and constructions on canvas, paper and board; and an ongoing series
of photographic prints that combine photography, video and drawing that she calls «video drawings.»
Maymon's work operates within the gaps between a real spatial presence, the flat photographic representation of that presence, and the potentially unlimited reproductions of that presence in the form
of photographic prints.