Sentences with phrase «enamel on canvas»

The exhibition includes nine enamel on canvas paintings made between 1961 and 1964.

Flying Carpet with a Waning Moon Over a Violent Nation 2013 Cel - vinyl, spray enamel on canvas over wood panel 108 x 360 3/8 inches (274.3 x 915.4 cm)

Flying Carpet with Magic Mirrors for a Distorted Nation 2013 Cel - vinyl, spray enamel on canvas over wood panel 108 x 360 1/8 inches (274.3 x 914.7 cm)

The former is a series of enamels on canvas in which the artist translates his passion for urban life's fast movement and vehicles, like cars and trams.

Paul Feeley Maia USA, 1963 oil - based enamel on canvas 30 h x 25 w inches Feeley was a proponent of color - field painting.

Acrylic and aerosol enamels on canvas, 48 x 60 inches.

THORNTON DIAL SR., «The End of November: The Birds That Didn't Learn How to Fly,» 2007 quilt, wire, fabric, and enamel on canvas on wood).

Oil and enamel on canvas mounted to four shaped wood boards joined with eight painted metal supports, 87 x 61 3/4 x 1 5/8 inches.

Loop) Loop Painting 2016 (96 x 96 in.; Synthetic polymer and oil enamel on canvas)

Alfonso Ossorio, Mothers & Children, 1951; oil and enamel on canvas 28 3/4» x 39 1/2»; Courtesy of Michael Rosenfeld Gallery LLC, New York, NY

Her black - and - white Frank Stella-esque enamel on canvas, Stella Tomlinson Court Park (First Version)(Study), 1990, went for $ 550,000, soaring past a $ 150,000 high estimate.

Image Credit: The Rude Screen, 2015 - 16, Enamel on canvas © Private Collection, Belgium, Courtesy Maruani Mercier Gallery

Apart from enamel on canvas paintings the exhibit will feature a selection of archival documents related to the series, including an original 1960s Ducolux paint sample card that inspired the artworks.

Kehinde Wiley, Triple Portrait of Charles I, 2007 Oil and enamel on canvas Triptych, 82 x 96 in.

Bright abstract painting made using latex enamel on canvas.

Acrylic and silkscreen enamel on canvas, 269.2 x 207 cm.

«Portrait and a Dream», 1953 Oil and enamel on canvas Overall: 58 1/2 x 134 3/4 in.

«thought - form of overlapping sounds of arrival, conception and destination» 2012 Cel - vinyl, spray enamel on canvas over wood panel 88 x 102 inches (223.5 x 259.1 cm)

«thought - form of image patterns revealed at the time of death» 2012 Cel - vinyl, spray enamel on canvas over wood panel 102 x 88 inches (259.1 x 223.5 cm)

Oil, resin and enamel on canvas in painted frame 79 x 67 inches Photography: Farzad Owrang Courtesy Julian Schnabel

Acrylic and aerosol enamel on canvas, 60 x 48 inches.

George Shaw, The Rude Screen, 2015 - 2016, Enamel on canvas, 178.5 × 198 cm.

George Shaw, The School of Love, 2015 - 2016, Enamel on canvas, 46 × 55 cm.

George Shaw, Every Brush Stroke is Torn Out of My Body, 2015 - 2016, Enamel on canvas, 178.5 × 198 cm.

Sotheby's Contemporary Art Day Auction, Nov. 12, 2014 Lot 529: KEHINDE WILEY, «The Dead Christ Within the Tomb,» 2007 (oil and enamel on canvas in artist's frame).

Flying Carpet with Petri Dishes for a Disturbed Nation 2013 Cel - vinyl, spray enamel on canvas over wood panel 108 x 360 1/4 inches (274.3 x 915 cm)

«thought - form of the waning and of the waxing of the self» 2012 Cel - vinyl, spray enamel on canvas over wood panel 102 x 88 inches (259.1 x 223.5 cm)

«thought - form of the beginning and of the ending of identity» 2012 Cel - vinyl, spray enamel on canvas over wood panel 102 x 88 inches (259.1 x 223.5 cm)

Steven Parrino, Universal Mafia, 1992 Enamel on canvas, 72 x 103 inches September 25 — November 3, 2007 Gagosian Gallery is pleased to announce an exhibition of works by Steven Parrino.

, 1959, enamel on canvas, 3.1 x 1.9 m. Courtesy: the artist, ARS, New York and DACS, London 2017

Enamel on canvas, 1.8 × 1.5 m. Courtesy: © The Estate of Joan Brown and George Adams Gallery, New York; photograph: Jay Oligny

Oil and enamel on canvas, 39 3/8 x 32 inches.

Chris Oatey, Center: at rest, 2012, paper, rope, acrylic, enamel, 108» x 26» x 24» Upper Right: mirage painting (black / white), 2012, enamel on canvas, 34» x 30»

Image: Lorser Feitelson, Hardedge Line Painting, 1963, Enamel on canvas, 72 x 60 in.

Rudolf Stingel (b. 1956) Untitled signed and dated «Stingel 93» (on the reverse) oil and enamel on canvas 99 x 66 1/4 in.

Christopher Wool (b. 1955) Lester signed, titled, numbered and dated «WOOL 2001 LESTER (P331)» (on the overlap); signed again, titled again, numbered again and dated again «WOOL 2001 «LESTER» (P331)» (on the stretcher) enamel on canvas 108 1/4 x 72 in.

Image: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel on canvas, Museum of Modern Art, New York, acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rockefeller Fund, © Pollock - Krasner Foundation / Artists Rights Society (ARS), New York and DACS, London 2015

Enamel on canvas, 90 3/8 x 78 3/4 inches (229.6 x 200 cm).

Paul Feeley: Corfu (February 22), 1962 Oil - based enamel on canvas, 60 x 48 inches September 13 — October 25, 2008 The exhibition includes nine enamel on canvas paintings made between 1961 and 1964.

Enamel on canvas; 90-3/8 x 78-3/4 in.

In Full Mother, 1951, a large oil and enamel on canvas, both the influences of Pollock's scratchy lines and drips of paint and Dubuffet's overpowering full - frontal forms are apparent.

JENNY DAY The Absence of Limestone, 2017 acrylic, ink, colored pencil, collage and enamel on canvas 24 x 24 inches

1959 oil and enamel on canvas 36 1/8 x 48 1/8 in.

Jackson Pollock, «One: Number 31, 1950,» Enamel on canvas, 105 7/8 x 209 1/2 inches.

St. Andrew, 2006 oil and enamel on canvas in antiquated frame with gilded ornaments painting: 96 x 84 1/4 inches (243.8 x 214 cm) framed: 110 x 98 inches (279.4 x 248.9 cm) KW - 6

Adolph Gottlieb, Burst 1973, 1973 Acrylic and enamel on canvas 213.4 x 152.4 cm Collection Adolph and Esther Gottlieb Foundation, NY September 4, 2010 — January 9, 2011 From September 4 to January 9, 2011 the Peggy Guggenheim Collection presents Adolph Gottlieb.