Sentences with phrase «of romantic comedies»

Is it frustrating for you to get roles outside of the romantic comedy genre; is it hard for you to be seen as a serious actor?

Well, actually, it helps if you are not a fan of romantic comedies because, regardless of the marketing campaign, that label fits this film loosely at best.

This is more of a romantic comedy drama so while there's laughs, don't expect to be crying from laughing so hard.

This is one of the sweetest endings of any romantic comedy in many years.

He's attached to the hip to the queen of romantic comedies.

Having a relationship coach certification can put you in the middle of some battles... or in the middle of a romantic comedy movie.

Most people assume that dating is something teens and young adults do, dating for seniors sounds like something out of a romantic comedy, not reality.

Two very funny actresses have been added to the cast of the romantic comedy I Give It a Year.

I had hoped to have the first draft of my romantic comedy completed by the end of this month, but that would take a miracle to accomplish.

It's a brilliant blend of romantic comedy, crime, and action genres, and it's also my favorite romantic comedy.

People Places Things doesn't set out to rewrite the rules of romantic comedy.

I know this may be weird to say, but this is a guy's version of a romantic comedy.

Yeah, we don't get it either, but it's one heck of a romantic comedy.

This is the lure of the romantic comedy — the genre that fuels confusion, distorted expectations and disappointment.

It's the downside of a romantic comedy - what we don't see after the end credits roll.

Maybe, but it still may not sway you to see it if you're not a fan of romantic comedies already.

I'd seen my fair share of romantic comedies, but this?

This is the case with most crime films, almost all action films and at least 99 percent of romantic comedies.

And then I'm working on something that has elements of romantic comedy, but people still die in it.

The first was a comedy / drama, and the second was more of a romantic comedy.

I'm not the biggest fan of romantic comedies but when done right, they can be fantastic.

As usual, after getting a little feedback on the first draft of the romantic comedy, I realized it was far from done.

Written and directed by Nancy Meyers («Something's Got ta Give,» «What Women Want») «The Holiday» is a competently crafted holiday film that takes well established conventions of the romantic comedy genre, but somehow makes them fresh enough and likable enough that many women (and yes, some men) will find it difficult not to enjoy themselves.

Hitch is directed with confidence by Andy Tennant, who has been on a string of romantic comedies with Sweet Home Alabama, Ever After, and Fools Rush In.

Meg Ryan seemed to realize that once she turned 40, she would no longer get to play leading lady in the kind of romantic comedies in which she made her name.

WHAT: While out to dinner with their two friends, Joel (Paul Rudd) and Molly (Amy Poehler) recount the story of how they met and fell in love — an extraordinarily cheesy romance that sounds like the plot of a romantic comedy film.

Veteran bachelor Hugh Grant, the star of a string of romantic comedies including Four Weddings and a Funeral, is about to get married for the first time to his Swedish girlfriend.

NNancy Meyers (Something's Got ta Give, What Women Want), who excels at crafting just these sorts of romantic comedies for more mature female audiences, delivers perhaps her most original premise for a film.

No matter how much you can relate to those fictional characters, you need to remember that they are not real and that your dating experiences after a long - term relationship will not mirror the number of romantic comedy movies you have unabashedly familiarized yourself with.

Lucky Them is a really solid work, a grade above a lot of romantic comedies because of its cast, screenplay and themes.

An odd, but predictable trope of the romantic comedy genre, a misunderstanding / re-uniting that is embedded awkwardly in the latter half is a bit rickety in light of the stellar development and heart of central relationship in the early going.

I know it sounds odd for me to guard the secrets of a romantic comedy as if it were a mystery thriller, but trust me: you just have to see this for yourself.

Both in front of and behind the camera, Whitney Cummings tries to breathe new life into the hackneyed, men - are - like - this, women - are - like - this style of romantic comedy with «The Female Brain.»

Nancy Meyers (Something's Got ta Give, What Women Want), who excels at crafting just these sorts of romantic comedies for more mature female audiences, delivers perhaps her most original premise for a film.

In the search for a fresh take on what is obviously perceived to be a tired genre, screenwriters have recently taken the plots of romantic comedies to further and further depths of stupidity.

Director Burshtein is both morally serious and subtly funny, overcoming the clichés of romantic comedy with a sideways exploration of the nature of love and faith.

This movie actually pulled it off after» No Strings Attached» since it's the same type of romantic comedy, or if you prefer,» sex buddies».

After 20 years co-writing a robust catalog of romantic comedies including «He's Just Not That Into You» and «How to Be Single,» Abby Kohn and Marc Silverstein decided it was time to get behind the camera together, too.

Herewith the latest installment of the romantic comedy starring Alan Duncan and Harriet Harman.

Baggage Claim has come from a long line of romantic comedies featuring impossibly beautiful women with problems finding love.

Unfortunately, it's an awful mess of a romantic comedy that relies on the same old repetitive clichés.

Their latest collaboration, I FEEL PRETTY, which also marks their directorial debuts, continues their streak of romantic comedies with decidedly mixed results.

The director of Sleepless in Seattle and You've Got Mail shares the secrets of romantic comedy with Jason Solomons

This funny, awkward, sincere deconstruction of the romantic comedy is delightful from beginning to end.Read More

The original version begins in a test screening, where the marketing executive played by Meg Ryan presides over an early screening of a romantic comedy very much like the one in which she finds herself.