Helping them grow to
be curators of high - quality reading material is important.
«It was that experience of coming to the museum by myself in high school when I really understood that there
were curators in charge of putting these things together,» she says.
At present, the museum employs 168 science staff, 27 of
whom are curators — scientists who collect specimens from around the world and maintain research labs to study the museum's collection.
So
why are curators, collectors and critics suddenly taking notice of artists who have been largely ignored all their lives?
On the other hand, you can
be a curator too, and save stories to your own collections.
Not
only are the curators limited to the collection, they are effectively in competition with each other.
She served as associate curator of collections from 1990 to 1995, and since 1993 has
been the curator of special projects as well.
I have
been a curator for the last ten years and have an extensive knowledge on this work.
But you know, years ago, I served on the committee for French American exchanges and we met with our French counterparts,
who were curators and so forth.
According to a Menil Collection release, Pesenti previously
was curator at the Grunwald Center for the Graphic Arts at the Hammer Museum.
McCrory takes over the role of Curator, Frieze Projects from Neville Wakefield who
was Curator from 2007 — 2009.
Adrienne
Edwards is Curator at Performa, Curator at Large, Visual Arts at the Walker Art Center, and also a PhD candidate in performance studies at New York University.
About Jesús Fuenmayor Jesús Fuenmayor
is a curator with more than 25 years of experience in the field.
Fletcher
also is curator of video art for Landmarks, the public art program of The University of Texas at Austin, and a doctoral candidate at Cornell University, researching aesthetics and avant - gardism in black American modern art.
Hunt is the curator of inHarlem: Kevin Beasley, Simone Leigh, Kori Newkirk, Rudy Shepherd, a multi-site public art initiative in four Historic Harlem Parks, on view through July 25, 2017.
Andria
Hickey is curator of the Public Art Fund's exhibition Hank Willis Thomas: The Truth is I See You at MetroTech Commons in Downtown Brooklyn, on view until June 3, 2016.
Also,
Lind was the curator of Future Light in 2015 with Rana Begum, Elena Damiani, Shezad Dawood, Mounir Farmanfarmaian, Amalia Pica, Yelena Popova, Haegue Yang and others, as part of the first Vienna Biennial at the MAK and Kunsthalle Wien.
Mr.
Marshall was Curator of the Lever House Art Collection, New York from 2003 until his untimely passing in 2014.
Kotik had assembled numerous shows by Postminimalists and Conceptualists since the late 1970s, when she
then was a curator at the Albright - Knox in Buffalo.
Nicholas
Cullinan is curator of modern and contemporary art at the Metropolitan Museum of Art, New York.
Prior to his move to Chicago in 2015,
Kholeif was curator at the Whitechapel Gallery, London — where he organised a major survey of post-internet art — and senior curator at Cornerhouse and HOME in Manchester.
Laura
Hoptman is a curator of contemporary art in the Department of Painting and Sculpture at The Museum of Modern Art, where she is currently organizing a career retrospective of the German sculptor Isa Genzken, and an exhibition on contemporary painting.
Hogue was curator in residence with grunt gallery between 2014 - 2017, and has curated exhibitions at the Morris and Helen Belkin Art Gallery, Or Gallery, and SFU Gallery.
Elizabeth
Thomas is a curator and writer, currently working independently and as Senior Lecturer in Curatorial Practice at the California College of the Arts.
Carla Acevedo -
Yates is a curator, researcher, and art critic based in San Juan, Puerto Rico and New York.
At the time of his death,
Hopps was curator of 20th century art at the Menil Collection in Houston, where he had been founding director, and an adjunct senior curator at New York's Solomon R. Guggenheim Museum.
There are of course as many different models of the curator / artist relationship as
there are curators and artists, but the most fulfilling times I've had in this job have been when the conversation has developed beyond a discussion of the show at hand.
The other relevant
person was curator Henry Geldzahler, who encouraged Poons to simplify his work and introduced him to the geometric abstractions of Frank Stella.