I assumed that the discussion of distribution difficulties would be a long shot; I didn't expect there to be so
little said about the film as a whole.
He states that he didn't want to do a traditional commentary because if he had anything else to
say about the film then he would have put it in the movie.
What can one really
say about these films in bite - size form, other than to continue to marvel at the simple brilliance of the idea, and to wonder how the intervening years, and the knowledge of the camera's returning presence, will affect the subjects this time.
In my book the
LESS said about a film's villain the better it is in terms of keeping said villain scary and compelling.
In the latest episode of her Book Lust Author Interview show, Nancy weighs what
Scott says about films against what she knows about books.
I don't really have much else to
say about the film because again if you're expecting a well made deep movie at this point in the saw franchise than sorry but your **** retarded.
The same can be
said about the film version of these books, Master and Commander, although the actual battle scenario takes up the a good deal of the running length.
«I wanted story, structure,»
Milos said about his film adaptations of E.L. Doctorow's Ragtime and Peter Shaffer's theatrical bonfire Amadeus.
It's been a little quiet in the world of Blu - ray and DVD as a number of March / April releases recently hit the home market and, well, there's not much more to
say about films like «Woman in Gold» or «The Second Best Exotic Marigold Hotel.»
Soft - spoken but intense, Taylor had obviously pondered the deeper significance of the film, but he also had some interesting things to
say about film acting in general and about his other film, the sequel to LAURA CROFT.
«It always kind of felt like our little intimate thing, to be honest, until just now being released finally,»
Dylan said about the film.
Much has already been
said about the film main relationship between the elegant Carol (Cate Blanchett at her most graceful) and Therese (Rooney Mara captures doe eyed innocence in a bottle).
Téchiné said about the film's emotion, «I prefer the public to be moved when Manu runs, climbs a tree or has a laugh than when he is sick.
«It's always easier when you have somebody like Forrest Whitaker writing a letter or making a phone call,»
Jordan said about the film's famous producer and mentor to Coogler.
I'm not a big fan of Statham post Snatch, but one thing I ca
n't say about his films is that they aren't entertaining, and this wasn't.
Elysium will mark the young directors second film and ever since its announcement not much has been
said about the film other than it was going to be in the sci - fi genre with a lot of underlying sociopolitical messages.
The film took the No. 3 spot on The A.V. Club's list of the best films of 2017, on which our own Ignatiy
Vishnevetsky said about the film, «the film's enigmatic and evasive qualities are part and parcel to its psychological portraiture.
Bonk added, however, that there is «a great danger of being unhealthily patronizing by ignoring what the viewers themselves have to
say about the film.»
It's really worth it to click over there to read what Ms. Larter had to
say about the film and her birthing experience, but here's a snippet.
With respect to another «Interstellar» plot point, namely, traveling between two points via wormhole, Neil deGrasse Tyson, the Frederick P. Rose director of the Hayden Planetarium at the American Museum of Natural History in New York, had something to
say about the film's depiction of a black hole.
What to
say about a film, that, more than any other in recent memory, seems intent on reinstating the visual in cinema to its proper place of primacy over sound and narrative, such that the only immediately comparable work may perhaps come from literally another world: F.W. Murnau's 1927 Sunrise?
This lends to what critics have
said about this film being cliché ridden.
I would suggest to some people who only watched Trailers but have so much to
say about the film, See the Film then come back and have something to say.
The film isn't great, but it certainly isn't as bad as what many critics have
said about the film.
But that's about all there is good to
say about this film.
What can be
said about this film that hasn't already been said, it is very much the «Batman and Robin» of the Superman franchise and proceeded to kill the franchise until 2006.
This is what director Michael Mayer, who worked with American playwright Stephen Karam on the adaptation, has to
say about the film (via Entertainment Weekly): «The play was trying to do something surprising and new: to show people behaving in naturalistic ways, to eschew histrionics and telegraphed emotions for something more nuanced.
I was recently able to sit down with director Karyn Kusama and writers Phil Hay and Matt Manfredi to see what they had to
say about the film and the psychology behind it.
There's not a lot to
say about the film's 5.1 DTS - HD MA soundtrack (English only), except that it's everything you expect from this kind of movie.
There's just not much else I can
say about the film, so let me know what you guys thought.
I don't have anything too negative to
say about the film other than I thought that the film needed more scenes with Brianna Hildebrand.
In addition, see what critics have to
say about the film, so far.
What can
you say about a film that is so vividly real, and so intense, that it holds you spellbound for two hours, without letup?
Del Toro himself doesn't have much nice to
say about this film, but that's, as always, what I'm here for.
I literally don't have one bad thing to
say about the film.