Sentences with phrase «by art historians»
A richly illustrated exhibition catalog featuring essays by art historians and dance specialists is available in The Shop and online.
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This was a radically different approach that created paintings without a specific focal point, something often referred by art historians as an «all - over composition».
Such complex forms of critical engagement are increasingly referred to as global contemporary by art historians and curators alike.
«I was overlooked by critics, by press, but I was never overlooked by art historians or curators or other artists,» she said.
Much of his later work has yet to be addressed by art historians.
Still artists generally do not make their work to fit within a framework constructed by art historians, theorists, or philosophers.
The exhibition is accompanied by a 180 - page catalog that includes prints of the artworks and essays by art historians, journalists and communication scientists.
It also includes interviews with individuals who attended the live performances and a round - table discussion with selected Anthology artists moderated by art historian Kellie Jones.
A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, Twentieth - Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.
On view will be a selection of works by British artist Christopher Le Brun, President of the Royal Academy of Arts, and acclaimed Los Angeles artist Ed Moses, curated by art historian Barbara Rose, former Senior Curator at the Museum of Fine Arts Houston.
Co-published by David Zwirner and Regen Projects with Hatje Cantz, it includes a text by art historian Benjamin H. D. Buchloh.
A catalogue accompanies the exhibition and includes an essay by art historian James Lawrence.
While in The Triumph Sandler embraced a methodology in which «the multiple is far more common than the single discovery,» in the new book he suggests a competitive model in which «chronology counts,» a phrase borrowed from a lecture by art historian Meyer Schapiro.
A monograph on Wall's work written by the Tate curator Chris Stephens was published by Momentum, London in 2006, and in 2015 Brian Wall: Squaring the Circle, edited by art historian Peter Selz, was published in conjunction with a solo exhibition at the de Saisset Museum at Santa Clara University.
Works 1969 — 2016, published by Edition Patrick Frey, includes 270 pages of color plates spanning the full breadth of Sullivan's career, along with essays by art historian William J. Simmons and critic Linda Yablonsky.
A fully illustrated catalogue has been published in conjunction with the exhibition, presenting the original essays by Mel Bochner from 1967 and John Coplans from 1968, as well as a history and analysis of Serial Art by art historian Mark Gisbourne, commissioned specifically for the exhibition.
His approach — aligned with the practices of his Californian contemporaries Larry Bell and DeWain Valentine, among others — was described by art historians as the «L.A. finish fetish.»
On the occasion of the exhibition, the gallery will publish a catalogue in collaboration with Steidl, Göttingen, which will feature new scholarship on the artist by art historian James Lawrence.
,» written by art historian Linda Nochlin.
As artfully described by art historian Benjamin H.D. Buchloh in his essay for the book, Pettibon's works from this period engage the recurring tropes of the day, from caricature, sleaze, and pop, to graffiti and patriotism, engaging universal issues with a tone that is at turns desperate, hilarious, ironic, brutal, or tragic.
Presenting early works in painting and sculpture by renowned French artist Jean Dubuffet, this compelling exhibition (organized by art historian Mark Rosenthal) focuses on the artist's development of his signature Art Brut style, which was inspired by children's drawings and the art of the mentally ill (what we now call Outsider
Highlights included a spring series titled Material Concerns and Current Practices, conceived and introduced by art historian Alex Bacon, which comprised three roundtable conversations with artists.
[vi] As noted by art historian Robert Hobbs, Hofmann's «painting sessions were particularly rewarding for Thomas who was alerted to the emotive potentialities of color, the need to work contrapuntally in terms of positive as well as negative spaces, and the significance of taking the overall dimensions of a given canvas into consideration as key compositional elements.»
The exhibition will be accompanied by an illustrated catalogue featuring essays by art historian Alex Bacon and Josephine Graf.
«The City of Dreams» has a long and rich history of feminist art practice and exhibition making, including LACMA's watershed attempt at inserting feminist art history into the museum with Women Artists: 1550 — 1950, curated by art historian Linda Nochlin and Ann Sutherland Harris in 1976, or, for example, Judy Chicago and Miriam Schapiro's inspiring installation and performance space Womanhouse (1972).
Organized by art historian William H. Gerdts, The Color of Modernism remains one of the pivotal exhibitions on the subject.
Concerned with questions of craftsmanship, modernity, design and the vernacular, Portuguese artist Leonor Antunes is joined by art historian Briony Fer to discuss her work, on the occasion of her new commission the frisson of the togetherness.
In conjunction with the 2016 New York exhibition, Lévy Gorvy published a catalogue featuring a newly commissioned essay on Chung's work by art historian Tim Griffin, an original poem by Yuko Otomo written in response to the temporal encounter with Chung's painting, and a comprehensive chronology situating Chung's life and work within the context of postwar art and culture.
Kertész Through October 30, 2016 Photography Gallery Free Regarded by art historians as one of the most important and influential photographers of the 20th century, André Kertész was a leading proponent of seeing the world through a Modernist eye.
Compiled and edited by art historian Eva Meyer - Hermann, the catalogue raisonné will illustrate and document approximately five hundred paintings by the artist from 1975 to the present day.
About Talking Contemporary Curating The dozen searching conversations conducted by art historian Terry Smith in Talking Contemporary Curating ---- with Carolyn Christov - Bakargiev, Claire Bishop, Zdenka Badovinac, Mami Kataoka, Mari Carmen Ramírez, Okwui Enwezor, Germano Celant, Jens Hoffmann, Hans Ulrich Obrist, Maria Lind, Zoe Butt, and Boris Groys ---- provide a vivid sense of contemporary curatorial discourse at work.
The show's contents were drawn from the collection of Giacometti's late nephew Silvio Berthud, and organized by art historian Michael Peppiatt.»
Lévy tapped Vervoordt to publish the monograph, which contains new scholarship by the art historians John Rajchman and Reiko Tomii.
Moderated by art historian Katy Siegel, the panel boasted a weighty lineup featuring Prospect New Orleans curator Dan Cameron, Whitney curators Gary Carrion - Murayari and Elisabeth Sussman, Quadrilateral Biennial curator Christiane Paul, and Singapore Biennale cocurator Trevor Smith.
The exhibition will be accompanied by a fully illustrated and comprehensive catalogue raisonné on the series with an essay by art historian Dr. David Anfam, Senior Consulting Curator of the Clyfford Still Museum in Denver and curator of the recent exhibition Abstract Expressionism at the Royal Academy, London.
An essay by art historian David Getsy will accompany the narrative publication, which will be released on March 10.
Gilbert & George: Complete Pictures, a comprehensive, illustrated, double - volume catalogue featuring 1,479 plates, with an in - depth analysis of the Gilbert & George oeuvre by art historian Rudi Fuchs, accompanies the exhibition.
The museum is sponsoring several informative programs in connection with Milton Avery & the End of Modernism, among them two Tea & Tour events featuring exclusive docent - led exhibition tours and introductions by Museum Director Karl E. Willers, Ph.D., the organizer of the exhibition; an illustrated talk by art historian Charles A. Riley II, Ph.D.; and a series of three lectures on the exhibition by Dr. Willers.
English landscape painter JMW Turner, commonly exalted as «the painter of light», was one of the great artists of the 19th century, his work considered by art historians something of a precursor to the impressionist movement.
The catalogue includes a comprehensive exhibition history, bibliography and biographical chronology, as well as an appreciation by former Menil Collection director Walter Hopps and an essay exploring Ruscha's pioneering use of language as a subject matter by art historian Yve - Alain Bois of Harvard University.
An accompanying monographic catalogue was published in 2018 by David Zwirner Books, including new scholarship on Asawa's groundbreaking body of work by art historian Tiffany Bell, as well as an essay by Robert Storr, and an illustrated chronology.
Much of what is both beautiful and ethically suspect about photography as a medium is embodied in a show organized by the art historian Tamar Garb and accompanied by an impressive book.
A full - color illustrated catalog of the exhibition, featuring an essay by art historian Doris von Drathen, will be available.