Sentences with phrase «exhibition form»

The group's purpose was to experiment with exhibition forms in a workshop setting, the results of which were shared with the public in a variety of venues.

The group exhibition forms part of the prize for eight shortlisted artists; the remaining longlisted works will also be projected within the space in a fantastic opportunity for 100 entrants to gain significant exposure and introduce their work to a wider audience.

Cellblock II An Essay In Exhibition Form Curated by Robert Hobbs December 1, 2012 — February 2, 2013 Andrea Rosen Gallery, New York, Gallery 2, 2012

Submissions accepted: 1 — 15 November 2016 — Submit a proposal for an idea - driven, online group exhibition forming by the MOP CAP Archive, as well as your CV.

In 2013, he curated the group exhibition Forming the Loss in Darkness at Galerie Praz - Delavallade, Paris, as part of Nouvelles Vagues, the young curators season in Paris initiated by Palais de Tokyo, and in 2014 became a curator at Palais de Tokyo and a contributing curator for the institution's projects in 2015.

The forward progression of these dueling interests provided Martinez with a foundation from which to expand such concepts further through exhibition form.

Installation view: Cellblock II An Essay In Exhibition Form Curated by Robert Hobbs December 1, 2012 — February 2, 2013 Gallery 2 Vito Acconci, Alice Aycock, Marcel Broodthaers, Tom Burr, Jean Genet, Robert Gober, Peter Halley, Nancy Holt, Will Insley, Donald Judd, Robert Morris, Robert Motherwell, Bruce Nauman, Beverly Pepper, Ad Reinhardt, Sterling Ruby, Tony Smith, Robert Smithson, Jackie Winsor, Artur Żmijewski

The museum also offers traveling exhibitions formed from its permanent collection to other museums and art institutes around Georgia and the Southeast.

Bridgewater State University, call for submissions: Form & Function Exhibition Form & Function Bridgewater State University seeks submissions for a group exhibition that focuses on contemporary crafts.

Caroline Achaintre, Sara Barker, Alice Channer is a three person exhibition forming the space of the gallery with discreet and autonomous moments of object making via careful labour.

This new exhibition forms a sequel to the famous project called Womanhouse, developed in 1972 by Judy Chicago and Miriam Schapiro.

His work has been exhibited around the world, including solo exhibitions Form, Space Kaan, Seoul, South Korea (2017); Civilized Landscape, Klein Sun Gallery, New York, NY (2015), Objectified Spectacle, Tang Contemporary Art, Beijing, China (2013) and In Situ, Ullens Center for Contemporary Art, Beijing, China (2008).

Public collections indebted to her efforts include: Bibleotheque Nationale, Paris; Australian National Gallery; Cleveland Museum of Art; Detroit Institute of Art; Cincinnati Museum of Art; Getty Museum of Art; RISD... A full list of photography catalogues and museum exhibitions formed in whole or in part by Janet Lehr Inc is available here

Zemer Peled's work in the Winston Wächter Fine Art exhibition Form Over Function has been featured in a Seattle Times article as a «not - to - miss» ceramics exhibition.

Amongst other things, her work is characterised by an interest in investigating exhibition forms and art contexts outside the mainstream.

The institution's first female director opened a new program of exhibitions, extending Kunsthalle Basel's venerable tradition of featuring emerging artists and experimental exhibition forms.

MAHWAH, N.J. — Renowned Japanese American artist Tomokazu Matsuyama will speak in the Adler Theater, in the Berrie Center for Performing and Visual Arts at Ramapo College of New Jersey, on Thursday, April 13 at 3 p.m. Matsuyama's work is currently featured in the College's Kresge Gallery exhibition Forms and Effects: Ukiyo - e to Anime which continues on view through April 21.

From Staniszewski's attention to the amnesia of past exhibition forms to Hans Ulrich Obrist's «protest against forgetting,» this literature on exhibitions pointed to a contradiction between the lack of exhibition archives and the global proliferation of exhibitions.

The Blanton Museum of Art is excited to announce that the 2017 Annual Fund will support the groundbreaking exhibition Form into Spirit: Ellsworth Kelly's Austin.

Germaine Richier and Tsuyoshi Maekawa (through April 12) These side - by - side exhibitions form an interesting debate about the current, often rewarding fad for perpetual resurrection that has made ours the time of «no artist left behind.»

Yang's exhibition formed part of the city's Art Sheffield biennial in 2010, and was the swan song for the original site.

Honored here in exhibition form, the pictures are both a time capsule and a technical tour de force.

This exhibition forms part of IMMA's programme of painting exhibitions, which has included major exhibitions by Lucian Freud, Howard Hodgkin and Francesco Clemente.

Reviews of the Whitney Biennial usually start by invoking the impossibility of the exhibition form and all the failed editions that came before, but here's the tricky thing: three of the last four were good...

The exhibition forms part of the Royal Academy's 250th anniversary celebrations, RA250, which also include a series of exhibitions and talks across the UK supported by Art Fund.

The exhibition forms part of 45 Park Lane's 2017 programme of art exhibitions curated around «The Uplifting Power of Art» in association with Ackerman Studios.

The exhibition forms part of the artists in residence programme run by the gallery, an initiative supported by the PJLF that aims to support grass - roots sculptors.

The exhibition forms the culmination of -LSB-...]

The exhibition forms the epilogue of a long - term project which originally took place in Zagreb from November 2016 to May 2017, curated by What, How & for Whom / WHW in collaboration with Kathrin Rhomberg.

The exhibition forms part of a recent acceleration in the artist's exhibiting CV, catalysed by her retirement from a 40 - odd - year teaching career, during which she proved an enduring influence on a generation of practitioners (most directly Rachel Whiteread and Angela de la Cruz, but also artists such as Douglas Gordon, Tacita Dean, Conrad Shawcross and Tomoko Takahashi).

Many of his sculptures are embellished with statements that challenge the hierarchies within art and these concepts were expressed in an installation titled WannabeArt which was part of the exhibition Forms of Seduction at Wetterling Gallery, Stockholm in 2009.

The exhibition formed part of the London 2012 Festival — the culmination of the Cultural Olympiad.

This exhibition forms part of the latter aim to ensure that Brazilian art is seen and debated in major European centres.

We are using We are the Center for Curatorial Studies as a way to reflect upon the Center for Curatorial Studies, Bard College (CCS Bard), whilst building it in exhibition form.

The exhibition forms part of the National Portrait Gallery's I am Me season, focussed on the intersections of art, gender and identity.

But for years it has disdained actually saying anything about the state of the medium in exhibition form, and all the while painting has developed actively on numerous fronts.

The installative total context of his exhibitions forms narrative contexts between the individual pieces that lead to the viewer to a fantastic world of associations.

It is as if, having tunneled into photography in every way imaginable, Mr. Williams has broken through to the exhibition form, which is becoming his true subject.

The installative total context of his exhibitions forms narrative contexts between the individual pieces that lead to the viewer to a fantastic world of associations.more

The exhibition forms part of the museum's bicentenary celebrations: the very first donation to the Fitzwilliam's collection was a set of colourful coffins created for an Egyptian priest of Amun - Re.

Embodying the trance - like qualities of Berg's music, Djurberg's moving fields of colour and energy explore the creation of something out of nothing, perhaps following the primordial beginnings of life and consciousness through the universal cycle to death and regeneration — essentially presenting an origin story in exhibition form.

The items on display in this exhibition form part of the Astrup Fearnley Collection.

This part of the workshop will explain the practicalities of organising an exhibition form A — Z.

Framed by the work of the East - German graphic designer Klaus Wittkugel (1910 — 85), K, will invite local and international artists, designers, and curators to actively consider the exhibition form anew through installations, talks, and pedagogical interventions.

«Black Male,» which opened in November 1994, was an exhibition formed out of my desire to not only create an exhibition that looked at race, gender, and identity, but also to understand the place of exhibition - making in an institutional history and a conversation about culture.