Sentences with word «illusionistic»

In my current paintings, I have reintroduced the idea of illusionistic space in a way that stays true to the abstract forms that I have been experimenting with for the past 5 years.

A pioneer in painting, Murray's distinctively shaped canvases break with the art - historical tradition of illusionistic space in two - dimensions.

What appear to be linear marks and ripples made by dragging the stick - end of a brush through wet vinyl paint, like an act of vandalism tearing through a pristine surface, is in fact a tour de force of illusionistic paint - handling.

With these paintings [at Corbett vs. Dempsey], I am finding ways to make the painting sculptural, to introduce space, but I don't want to do that with illusionistic depth.

Taylor's «B» is angled to remind us that it has been applied on the flat surface of the picture, not on the door in illusionistic space; the white drips on the floor could be in the room itself, or a result of his vigorous work on the canvas.

Frank Stella has been recognized for his artistic innovations since the age of 25, when he cast aside the concept of creating illusionistic space in his canvases in favor of privileging flat surfaces.

With these paintings, I am finding ways to make the painting sculptural, to introduce space, but I don't want to do that with illusionistic depth.

Its crappy stuff that's difficult to mold into illusionistic space - no flow, just sticks to the canvas.

Moving back and forth between abstraction and figuration, he has depicted geometrical forms including dots, lines, triangles, square and ellipses, and rhythms of fresh and vivid colors on the pictorial plane, and has created unique, illusionistic worlds of painting wherein each motif influences and merges into each other while preserving a descriptive quality.

Bridget Riley (b. 1931) is one of the foremost exponents of Op Art, a style that plays with human perception to produce optically illusionistic works of art.

This allows him to juxtapose not merely individual colors but patterns as well, and to build extremely intricate surfaces that don't play on illusionistic depth but hold the eye suspended.

His grid - based paintings incorporating rectangles of primary colors were completely divorced from illusionistic painting.

The separation of image and content is a fundamental tenet of contemporary art, illustrated with work as various as illusionistic trompe l'oeil painting, architectural ornamentation, and the annual...

In each of his ebullient oil - on - board works he would essay illusionistic depictions of strange

All the devices in Stella's new paintings are geared to make picture space feel as if it bites into real space, without using illusionistic depth.

Faust is widely known for his abstract paintings and sculptures that employ color to convey emotion and meaning, often with the use of illusionistic effects.

She has written of her interest in «reconciling figurative representation and the formal concerns of creating illusionistic images on a flat surface.»

Like many of Edge's earlier resin pieces, they are painterly yet have a three - dimensional quality that plays with the tension between illusionistic painting and literalness of sculpture.

In her new series, Premature, Steinkamp will continue to employ large - scale projections and new media technology to create illusionistic environments.

Through painting, Maygarden's unique works possess an abstract illusionistic quality, confounding the viewer with a seemingly computer - generated aesthetic.

This has sort of changed the perspective direction of a lot of post-analog painting, because whereas before, figurative painting functioned as a «window,» a recessive space with the illusion of depth, now there is a push towards illusionistic projection and forward movement.

As he has noted, his use of «push - pull dynamics and the occasional use of illusionistic perspective against raw expressionistic brushwork gives the impression of looking deep into the canvas only to be thrust back to the surface.»

Illusion in the trompe - l'oeil sense is not one of my techniques, and the effect isn't illusionistic.

What connects them all is the mystery of what they refuse to show: rather than the windows of traditional illusionistic art, these paintings are walls, built up and bricking over an unknown distance beyond.

Since the dawn of civilization, artists have been experimenting with illusionistic devices meant to trick the eye.

The work simultaneously reflects both traditional illusionistic pictorial painting and flat non-representational abstraction.

After nearly a decade spent refining his work in jute and canvas, Manish began experimenting with illusionistic murals, photography, and sculpture.

The solo exhibition will also showcase illusionistic drawings made with dry pastel and sculptures made of compressed jute, newspaper and old clothes — works that Nai is increasingly earning renown for.

Exploring how to force illusionistic space out of painting, Stella created the seminal Black Paintings, credited by some as reinventing Modernism and establishing the basis for Minimalism.

In most of Sigurðardóttir's installations some double - edged aspects are apparent: one part illusionistic surface, the other the physical reality of its construction.

Its inconspicuousness gives it the capacity to mediate, to make visible, in a positively illusionistic way, like a photograph.

This notion of «self - referentiality» is akin to Kazemir Malevich's ideas — both artists found a common enemy in the traditional illusionistic and representational ideologies of art.

In post-World War II America, the primacy of abstract art was clearly acknowledged, and by 1961, when Norman Rockwell painted The Connoisseur — his visual treatise on the subject juxtaposing Jackson Pollock's nonrepresentational art with his own illusionistic imagery — Abstract Expressionism had been covered in the popular press for nearly fifteen years.

They feature discs in locations set by Picabia, which in later versions became illusionistic cylinders, recalling Popeye's cans of spinach.

Shortly after, he discarded his abstract illusionistic work he had become famed for and moved into a new folk - infused aesthetic, utilising textiles on a monumental scale.

In his words: «I soon arrived at an elementary system of measurements implicit in the geometry of the rectangle which became the basis for simple images that I had deliberately given a somewhat illusionistic cast.»

His gunpowder, pigment, and pastel drawings of words incorporate industrial typefaces and illusionistic renderings of text that flow like ribbons or liquid across the paper.

Ernst had already started doing more illusionistic paintings.

The exhibition not only showcases Schütte's illusionistic interior schemes, it also reveals the underlying formalist interest in the use of staging and of transformative effects to take painting into the realm of sculpture.

The exhibition title is a play on two simultaneous traditions: the modernist charge to flatten illusionistic space and the «flat top» hair cut popularized during the Def Jam era of hip hop.

Opening: «Flatlands» at the Whitney Museum of American Art As part of the Whitney Museum's renewed commitment to be a «testing ground for new tendencies in art,» the group exhibition «Flatlands» offers illusionistic paintings by five emerging artists.

This exhibition consists of illusionistic compositions — rendered somewhere between meticulous staging techniques, analog processes and digital alterations — manipulate perceptions of space and reality to create photographs that appear as abstract paintings.

The tendency to regard illusionistic techniques, decorative details, and emotional qualities as distractions and to eliminate them for the sake of the material's integrity is evident in work by such artists as Donald Judd and Carl Andre.

These shows received little notice, but two years later, a 1962 Sidney Janis Gallery exhibition in New York officially launched Pop Art, bringing Thiebaud national recognition, although he disclaimed being anything other than a painter of illusionistic form.

«Opening» at Baert Gallery comprises five trompe l'oeil abstractions whose geometric compositions appear flat from afar but disclose illusionistic shading as one approaches.

The artist creates an immersive installation with large - scale paintings that layer historical references and deep illusionistic landscape space, and small - scale artworks with detailed, highly textured surfaces.

At the time, they caused a sensation: Stella, at the age of 23, had single - handedly purged illusionistic representation from the canvas.

Both renowned artists turned to the projected image in the seventies, highlighting the shifting awareness of spatial perception in the interaction between illusionistic filmed space and a physical location.

In «Goofy Gloom», the artist plants large white bulbous shapes against a grey nothingness, demonstrating Richter's «positively illusionistic way».