Sentences with phrase «pieces in the show»

Other pieces in the show play with our vision similarly.

I think this was my favorite piece in the show, because of the way it seemed to bring every other object on view in the gallery together in harmonious relationship.

In the second room is my favourite piece in the show.

Some very strong pieces in the show if you have the time we recommend viewing this show before it is taken down.

Certain pieces in the show seem to have evolved from representational objects and into more abstract forms.

This minimalist - conceptual work was the most powerful and successful piece in the show.

The large scale pieces in this show are all from the late 1960's and early 1970's and still resonate with architectural impact.

Untitled, the artist's large oil on canvas piece in this show, is an interconnected mix of elegant, organic lines in muted tones with pops of color.

The paper pieces in this show are exactly that.

A couple of bad pieces in a show don't change that nor should they make this work any better.

Each work is part of a larger dialogue, be it in conversation with other pieces in the show, and with the overall practice and manipulation of specific materials.

ME: Do you have a favorite piece in the show, or one that was particularly challenging to work on, and why?

While there are a few minor works and a couple of pieces in the show that while interesting do not rise to the occasion, this is still a major thematic exhibition of rare artistic quality not often seen gathered in one place.

The best pieces in the show work because, as with the best Hollywood films, they present a glittering surface, beneath which is a strong underlying narrative.

In the middle of it all is Robert Rauschenberg's White Painting (1951), one of the earliest pieces in the show and perhaps the one which, in its simple paradox of filled - in blankness, epitomises the cyclical quest for the end of painting.

Adjacent to Recital (Spread) is David Salle's Miner, 1985, the largest piece in the show at a width of 162 1/4».

Other pieces in the show include Planet, a 10m bronze baby and a series of burning sculptures which thanks to new technology, can burn with real fire inside the museum without a flue.

Many art viewers will be familiar with several key pieces in the show like Nan Goldin's photographs from Ballad of Sexual Dependency or Schneemann's Interior Scroll.

Had enough lone standout pieces in shows of relative unknowns?

Many art viewers will be familiar with several key pieces in the show like Nan Goldin's photographs from

DDL: Let's start with your two pieces in the show at Galerie Protégé.

Whereas those «black paintings» were gloomy, bleak and pessimistic, I see these paper pieces as poetic, dark dirges and elegies... The [pieces in this show] are subtitled either as «Collateral Damage» or «Near Certainty.»

The most exciting pieces in the show for me were the most recent works, The Eye Man (2014) and Corner Café (2014 - 2015), large canvases making their public debuts.

And the artist, often associated with his antic performances, is getting credit for his depth lately: the Financial Times called his work in the Whitney's «Blues for Smoke» exhibition the «most poignant piece in the show.»

The selection of recent pieces in the show points out the recurring use of graphic elements such as stripes and zigzagging lines, which play a special role in the artist's practice.

But for his main piece in this show he has filled a whole wall of a big gallery with a symmetrical abstract design that looks like a giant inkblot in a Rorschach test.

It was a storefront, guerrilla sort of gallery, and it was the only piece in the show when it was first seen there.»

(Of course, you should look at all the other great pieces in the show, but this is my blog, so I'm channeling my inner five - year - old and bragging about me.)

However, there are other pieces in the show which demonstrate that our objections were not victorian prudery.

Francis Dawson will be exhibiting his living art pieces in the show.

The most strictly conceptual piece in the show is by the activist artist collective, called Occupy Museums.

As the biggest piece in the show, the large drawing is actually only lower portion of a huge composition that Verlato started on back in mid 80s, just after the massacre of the Eisel stadium.

For another installation, he strung up plain white bath towels on a laundry line, cordoning off the nicest piece in the show and unfortunately keeping viewers from seeing it up close.

Another Smith piece in the show, a rippling work on paper, seems to turn the slim silhouette of the sculpture on its side.

Despite being the smallest piece in the show, this rectangular amalgamation of oil paint, acrylic paint, household paint, varnish and mixed media collage on canvas (then mounted on board) had that rare feeling of monumentality.

The most beautiful piece in the show was definitely the lemon tree surrounded by a wall surmounted by broken glass.

One of the most astounding pieces in the show is the gargantuan Purple / Red / Gray / Orange (Fig. 5), which, at 18 feet long and five feet high, is the largest print ever attempted at Gemini, and truly the equal of any of Kelly's work in any medium.

One of the more illustrative pieces in the show, these oversized bugs function as a brief commentary on the natural world.

Almost all the 30 - odd pieces in the show have some kind of sociopolitical charge, but a few are especially compelling and poetic.

Duncan's pieces in the show document and hold the power of the sun and the fragility of time and are a continuation of his long fascination and study of the sun as a generative life - force.

The newest piece in the show, du voyage, des gens (Travel, People, 2011), is a three - minute video of an anonymous Roma woman playing the fiddle in the tourist - filled space in front of the Centre Pompidou.

Following in Lozza's footsteps, Romberg created a group of works in 1980 that resemble color charts — there were six such pieces in this show.

The graphite pieces in the show have a direct response to Ad Reinhardt's Black Paintings, and the intent of almost losing the brush stroke.

One of the most notable pieces in the show is the black - and - white film Wildcat (Aunt Janet)(2016).

The floppy typography acts as a bridge between the two and three dimensional pieces in the show, creating a sense of continuity that is lacking within the paintings themselves.

In what might be the most effective piece in the show, dozens of head - sized spheres constructed out of garbage bags and twine are suspended just a foot or two off the floor.

Rauschenberg passed away in 2008, but Johns is still going strong at 87; the latest piece in the show is dated 2016.

One installation known as Forest, however, is a more somber and reflective piece in the show that features poles representing tree trunks and serves as a memorial of the Holocaust.

One of the most striking pieces in the show is a chunky, stacked «ziggurat» from the mid-eighties that seems to be both a sculpture and a painting.

By far the most arresting piece in the show, and indeed, one of the most arresting artworks I've ever seen, is Slowly Turning Narrative.