Sentences with phrase «sculptural practice»
"Sculptural practice" refers to the creation of art through the process of sculpting, which involves shaping and forming materials such as clay, stone, or metal into three-dimensional objects or forms. Full definition
Responding to notions of public space and the conventions of sculptural practices, applicants will be challenged to create an innovative and engaging proposal within an open critical framework.
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These works provide a basis for developing examples of contemporary sculptural practice within the museum's collection.
These tools allow 2 - D media to be seamlessly integrated into sculptural practice, creating interesting new gains and problematic losses.
This gradual rejection of traditional sculptural practices led to a total avoidance of depicting subjects that exist in the natural world.
The pairing of the two artists offers new insight into their respective sculptural practices.
Inspired by the radical politics of the late 1960's and frustrated by the limitations of art taught by the academics, he decided to embrace different, modern sculptural practices.
This exhibition brings together works that expand the conventional ideas of sculptural practice.
Future Eaters presents a range of contemporary Australian and international artists working with sculptural practices in our present technological age.
Not that far from animism, Palm approaches a wide sculptural practice from a post-curatorial behaviour, researching the inner capacity of the objects to interact inside the white - cube, being specially sensitive to their previous story outside the museum.
Influenced by calligraphy, architecture, and poetry, he subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in humble, fragile materials.
In recent years, she has enjoyed a growing national and international reputation thanks to her exuberant sculptural practice which engages with elements from...
On the other hand, when seen as a whole, the collection provides a portrait of a specific creative legacy of the Los Angeles contemporary art scene, in this case a notable expansion of the field of possibilities for sculptural practice.
Future Eaters presents a range of Australian and international artists working with sculptural practices in the technological age.
He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials.
Over the past half century, Puryear has established a unique sculptural practice handmaking modernist abstract works that are inspired by nature and draw on a range of cultures, histories and motifs.
The Irreverent Object examines the subversive nature of sculptural practice employed by European artists from the 1960s through the 1980s.
Cubist ideals, for example, also affected sculptural practices, leading to flattened and fragmented depictions of objects.
Liz Glynn's sculptural practice engages with issues of social ritual, class, and the dynamics between public and private space.
Feher's formal and conceptual vocabulary freely draws on historicized sculptural practices ranging from the early - twentieth - century readymade and assemblage to minimal and postminimal strategies of the 1960s and»70s.
A multi layered sculptural practice including video, photography and object making, Tracey's work often evokes a sense of place and the various underlying narratives within that given space.
Together, these very different sculptural practices bookend a narrative spanning more than 50 years.
The title of the exhibition suggests the themes that the artist explores, both here and in her wider sculptural practice: for example, the nature of a façade, the dualities of front and back, questions relating to the decorative, the deceitful, the theatrical, and the interplay of real and fake.
This will be the first showing of the artist's works in vinyl in the United States, a body of work that complements his established sculptural practice.
The Helen Chadwick Archive forms a part of the Henry Moore Institute Archive of Sculptors» Papers, which comprises over 260 collections containing a diverse range of material relating to British sculptural practice from the eighteenth century to the present day.
«Like Life: Sculpture, Color, and the Body (1300 — Now),» at The Met Breuer, New York, examines 700 years of sculptural practice through a selection of works from 14th - century Europe to the present day, including Emma (1970).
His photographic and sculptural practice draws on his proximity to Alberta's Rocky Mountains, and investigates how western expectations of environments are created and fulfilled through photography and tourism.
Benjamin H.D. Buchloh situates Orozco's various sculptural practices within twentieth - century precedents and the climate of postwar consumerism and assesses them as manifestations of a shift in object - subject relations.
In recent years, she has enjoyed a growing national and international reputation thanks to her exuberant sculptural practice which engages with elements from popular culture including food, design and literature.
Piotr Chizinski's larger sculptural practice questions the effects of historical digital technologies to offer sociopolitical inquiries about the present.
Illustrating the revolutionary influence of Arte Povera upon sculptural practice in America and Europe at this time, the exhibition highlighted a rejection of sophisticated methods of construction and traditional materials.
The overview of her image - based sculptural practice includes works from 1989 to the present, including Vanity Mirror III (Edwardian) from 1989, pictured here.
British sculptor Rachel Whiteread has enjoyed international acclaim for her provocative sculptural practices.
A Dark Place of Dreams celebrates Nevelson's artistic accomplishments and her lasting impact on contemporary sculptors, while highlighting the prolific sculptural practices of Booker, Fensterstock, and Gilmore as well as their facilities with material and ongoing explorations.
«The attention to detail, historical accuracy and physical nature of Mike Nelson's sculptural practice guarantee that his new installation for the British Pavilion will be one of the most challenging solo presentations ever mounted in over 70 years of exhibitions organised by the British Council in Venice.»
Cheng's sculptural practice demonstrates a preoccupation with objects people often create to meet basic needs such as: shelter, illumination, warmth, support, nutrition and occasionally diversion Cheng's solo exhibition, entitled Mixtures, involves a sprawling and scattered installation, a single work containing multitudes.
Carol Bove's (b. 1971) sculptural practice makes re-use of materials that come with readymade histories: rusted metal beams, seashells, and driftwood.
Gutiérrez's works show various aspects of her deconstructive sculptural practice.
«Future Proof» developed from Murray's initial sculptural practice of crafting asymmetrically shaped canvases that would interact with the paint, shown in «Mystery of Light».
Each artist's respective sculptural practice addresses a notion of time that seems compressed.
Since participating at the XXIV Biennale in São Paolo (1998), the Venice Biennale (2001), and the Documenta XI (2002), the Dutch artist (born 1968) has emerged as one of the most distinctive and independent positions within the international sculptural practice of the present day.more
In his pursuit of a new language, the artist helped to move sculptural practice from the «modern'to the «contemporary.»
He is co-editor of the Sculpture Journal and co-edited publications include: Modern Sculpture Reader (2007/2012), H.S. Ede's Savage Messiah (2011), Tools of Trades: Articulating Sculptural Practice (2010), Articulate Objects: Voice, Sculpture, and Performance (2009), Carl Plackman: Sculpture, Drawing, Writing (2006) and Sculpture in Twentieth - Century Britain (2003).
Crichton creates large - scale sculptures and installations that investigate physical space and contain references to and elements of minimalist sensibilities, occult aesthetics, and formal sculptural practices.
Mooney's sculptural practice pursues abstraction and the agency of material bodies learned through the processes of jewelry and ornamentation.
In his poems, Andre uses words as modular units arranged in sequential formations, in ways that evoke the bricks, blocks of wood, and sheets of metal that he employed in his seminal sculptural practice.
Cristina Lei Rodriguez's sculptural practice provokes viewers through a collision of aesthetic contrasts.
By placing her work in conversation with both the human body and the landscapes around and beneath us, Hendry's sculptural practice offers clever, fresh perspectives on the field of sculpture.