Sentences with word «cubist»

In 1921 he saw an exhibition of cubist paintings in Paris, which was to influence his style for the rest of the 1920s.

The bold, simplified forms of the matchbox, safety razor, and fountain pen showcase Gerald Murphy's training in mechanical drawing, as well as his interest in the flattened space of cubist painting.

Davis first discovered this kind of space in Cubist works on view at the 1913 Armory Show — the exhibition where most American artists first encountered European Modernism.

Starting with Cubist work from Georges Braque and Pablo Picasso, the exhibition continues with Surrealism and Magritte's famous «La Trahison des Images (The Treachery of Images)» and postwar art in which letters, numbers, words and phrases became artistic motifs, objects and part of an artistic practice.

Once graduated, he began his own aesthetic research under the influence of Cubist Painters Georges Braque and Pablo Picasso.

Memorable food paintings of yore include Giuseppe Arcimboldo's portraits (pictured above) from the 1500s, Pieter Claesz and the Dutch still life painters of the 1600s, Caravaggio's rotting fruit, the early Cubist still lifes of Picasso and Braque, Wayne Thiebaud «s desserts from the 1960s, and Andy Warhol's iconic Campbell's Soup Cans.

This style could be best described as a combination of Biomorphic Abstraction, with Cubist style compositions, along with two - dimensional inner details.

Along with Cubist collage, he had seen Picasso's own sculpture and that of Julio Gonzales.

They will also be juxtaposed with works by Cubist painters, such as Georges Braque.

These forms of Cubist collage, coincided with early three dimensional compositions using «found objects», such as the controversial «readymades» by the Dada artist Marcel Duchamp (1887 - 1968).

1913 is also the year, in which Duchamp created his first Ready - Made — and, thus, set a revolutionary milestone in art history, while receiving much critical acclaim for his early Cubist paintings at the time.

This relationship between media will be explored through the juxtaposition of works by painters and photographers, such as cubist works by George Braque and Pierre Dubreuil or the abstract expressionism of Jackson Pollock and Otto Steinert's «luminograms».

This paved the way for Cubist artists to develop a style which attempted to show a different kind of reality, where it was possible to see an object from a variety of angles simultaneously.

Like all the best quotes, this one from cubist painter Georges Braque makes you think, but it doesn't quite ring true.

It is one of the greatest 20th century paintings of the Synthetic Cubist movement.

Inviting a gaggle of artists to design these may seem a superficial bit of outmoded British art boosting, but in reality it is a romantic restatement of the Olympic ideal, inviting artists to imagine the forces of human effort and natural capacity that have always made sport a theme for modern art (think of cubist portraits of cyclists and Picasso's beach ball scenes).

The artist who had the most profound effect on Hofmann, however, was Robert Delaunay, whose structural Cubism was giving way to Orphism, a style in which fragmented Cubist forms were painted in vibrant, expressive colours.

Halasz writes that, in viewing the show «it becomes clear that the collages served an important purpose for the artist They enabled him to progress from his youthful admiration for cubist painting on to the freer and bolder original paintings that he was to create as one of the founding fathers of abstract expressionism.

During the early 1940s, he deviated from his earlier allegiance to Picasso and a synthetic cubist style and began to produce historicizing portraits, almost exclusively of women, that looked back to Raphael and Ingres.

On the floor 2, the visitor can find an initial section devoted to historic avant - garde movements such as Cubist Space, Dadaism, Constructivisms, Surrealism, Informalism and Pop Art.

Maybe like cubist portraits where I can see them from every possible angle and still go through an entire emotional spectrum, falling and then standing up again.

Alexander Archipenko (1887 - 1964) Ukrainian - American Cubist sculptor noted for use of «negative space».

She began to experiment with Cubist abstraction and won the academy's silver medal for portraiture and the Proxima Accessi gold medal for her painting, Return of Ulysses.

One can see Cubist influence in her 1941 oil and collage on canvas, «Poet in a Brown Hat.»

Inspired by Cubist experiments, artists associated with Dada — particularly the movement's Berlin branch — began incorporating collage techniques into their work.

Metal and marble always make a winning combination — give the look a twist with an unusual riff on cubist style.

When I turned to abstract art, I wanted to skip the whole Cubist period.

Pop Art used irony to that end, while a Minimalist might have relied more on formalism, but both tactics were present from the first Cubist collages.

These murals were in the manner of the early US modernist Stuart Davis (1892 — 1964) and French Cubist Fernand Leger (1881 — 1955).

Early in their careers, Mexican muralist David Alfaro Siquieros and French cubist Fernand Léger both painted on burlap sacks, while Marc Chagall made designs on bed sheets and Franz Kline worked on cardboard.

New York's Rachel Adler has drawings by Russian constructivists Liubov Popova and Natan Altman, New York's Barbara Mathes has drawings by Matisse, Picabia and Degas, and Chicago's Richard Gray has a synthetic cubist Picasso drawing and a de Kooning drawing of two women that are worth detours.

His best - known early paintings combine Cubist structure with Fauvist color, as in Untitled (1943).

Meanwhile, avant - garde artists like John Marin managed to capture the energy and flux of metropolitan life in Cubist inspired compositions.

There are passages reminiscent of French Cubist Georges Braque, Russian abstractionist Wassily Kandinsky, and Armenian - American proto - Abstract Expressionist Arshile Gorky.

The other Cubist idiom developed by Picasso and Georges Braque (1882 - 1963), was synthetic Cubism, a style which incorporated new materials (like collage) into the picture surface.

Promised Gift from the Leonard A. Lauder Cubist Collection © 2014 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

The dynamic and characteristic rear design is distinguished by the almost cubist styling created around the high - mounted, stretched rear lamps and by how it horizontally divides the forward - rake rear window into two.

It is more cubist grid than expressionist composition like those on view in the Museum of Modern Art's Making Space: Women Artists and Postwar Abstraction, on view through August 13.

Claiming to produce «a New Living Abstraction», Vorticist works combine Cubist fragmentation with hard - edged iconography reflecting technology and the urban environment.

Krasner combined the principles of Hoffman and Matisse with her admiration for Cubist drawing.

Titled «Women of Venice», after a group of plaster figures that Giacometti consented to be displayed in the French Pavilion in 1956, the exhibition sets seven striking, royal - blue sculptures by Bove — a response to Giacometti: upright and planar, like cubist figures rendered in sheets of Fimo — in the pavilion's enclosed courtyard.

From cubist shapes to vivid watercolours, the Spring / Summer 2018 catwalks were awash with punchy, studio - inspired prints -LRB--RRB-.

After college Reinhardt managed to get work from 1936 until 1940 for the Federal Art Project, where he made friends with many soon - to - be members of the New York School, including Arshile Gorky (1904 - 48), and Willem de Kooning (1904 - 97), and the influential American Cubist Stuart Davis (1892 - 1964).

Having begun his venture into abstraction through cubist fragmentation and the constructivist composition of geometric planes, Browne later branched out into biomorphism, his gestural style influencing the abstract expressionism of Jackson Pollock, Arshile Gorsky, and Willem de Kooning.

The Park Avenue Cubists continued to evolve a European - based abstraction, and modernists such as Stuart Davis and Charles Demuth applied a precise, geometric vocabulary to American architecture and advertising.