The
final piece in the exhibition is a sculptural installation composed of dirt collected over several days from different locations in the city.
There is one
piece in the exhibition with a woman and a baby, but that piece is not really in the same subject as the show, it's an older piece from last year.
Sarah will provide a behind - the - scenes look at the exhibition, sharing her insight on
key pieces in the exhibition, curatorial process, and installation details.
Pieces in the exhibition question notions of repetition as creative process, interpretation as content, performance as document, style as concept, intellectual property as common denominator, and viewer as object of interest.
In this conversation with Ute Thon (Art — Das Kunstmagazin), Sam Keller (Fondation Beyeler's director and the co-curator of this exhibition with art historian Dieter Buchhart) talks about the genesis and importance of the exhibition, why it was so challenging to put the show together, the charateristics of Jean - Michel Basquiat's oeuvre, and his
favorite pieces in the exhibition.
Fernandes» research culminates with a
central piece in the exhibition, an audio installation that references both documentary field recording and abstracted Dadaist sound poems.
The
only piece in the exhibition not drawn from our collection is Swiss artist Walter Angehrn's The Veil, a deliciously subtle acrylic on paper piece located next to his Untitled photograph.
Nicole Cherubini presentation on contemporary ceramics where paint acts as the union between disparate mediums presents painting as a verb, creating some of the most
successful pieces in the exhibition, Cherubini follows suit with Apfelbaum, merging the disciplines of sculpture and painting.
Using drone paintings, wallpaper, AI criminal portraits and a new
VR piece in this exhibition, KATSU looks deeper at how machine learning is outstripping emotional intelligence.
For the
wooden piece in this exhibition, Bourgeois describes a «human kind of radar,» in which individual units relate as people do, «aware of each other, perceiving each other, and constantly adjusting to each other, as if by radar.»
Opening reception: Friday, March 29, 6 - 8 p.m.
Every piece in this exhibition embodies both the rich dramatic content and the powerful physical presence for which Elliott Hundley is known.
Both her
sound piece in the exhibition at Hotel Indigo and her related performance at MCASB's main location explore the beauty, absurdity, torture, and miraculousness of what it means to be human, both within our own skin and as we connect to others in the world.
Certain pieces in the exhibition — which has been organized by Connie H. Choi, an associate curator at the Studio Museum, and Hallie Ringle, an assistant curator — stand out for formal reasons.
Around 25
pieces in the exhibition belong to the museum's collection, while others were borrowed from US museums, private collections, artists» estates and from the artists themselves.
Artlyst's
favourite piece in the exhibition has to be Wild Talents, a vast installation from 1997, incorporating two wall - sized projections, a small TV set and a ring of votive lights.
In her work Glass scale model» 5 stones b / n (1979 - 2014) she places the found objects on the surface of a table; from afar, the tabletop assemblage is understated, and from close up, it is the most
captivating piece in the exhibition.
Going on to research and develop their project ideas with a # 4,000 bursary and production support from Film and Video Umbrella, the four will present their
pilot pieces in an exhibition at Jerwood Visual Arts in March 2014.
This week focuses on the artists known as Tercerunquinto and their
upcoming piece in the exhibition México Inside Out: Themes in Art Since 1990 opening September 15.
Though Conceal, Reveal is more minimal in its composition compared to the more
vivacious pieces in the exhibition, it epitomizes the core visual and process - based motifs that characterize the exhibition.
Other
contemporary pieces in the exhibition depicted deceased bodies in more fragmentary ways — including photograms made from cremated remains and photographs that revealed swatches of bedding, carpet, and upholstery marked by bodies that passed away on those surfaces.
Painting and sculpture were rare, and the few
abstract pieces in the exhibition, among them a torqued steel sculpture by Phyllida Barlow and a suite of minimalist colored - pencil drawings by Ulrike Müller, felt somewhat out of place.
Photographs
of pieces in the exhibition include JW Anderson, Lynda Benglis, Christian Dior, Naum Gabo, Jean Paul Gaultier, Barbara Hepworth, Sarah Lucas, Vivienne Westwood, Henry Moore, Yves Saint Laurent and many more.
The
earliest piece in the exhibition was begun eleven days before 9/11 and the exhibition follows my intuitive trajectory over the last fifteen years, which has allowed me to consider the transforming power of art when it's experienced in different moments and contexts.
One of the
key pieces in the exhibition, said Stout, would be a video by Tsang, titled A Day in the Life of Bliss, which Stout described as extraordinary.
Select pieces in the exhibition were created for LG's nationwide competition earlier this year titled «The Art of the Pixel,» which challenged college and university students from across the country to create new digital artwork.