Sentences with phrase «part of one's exhibition»

The motif was used on a wall drawing the artist presented as part of the exhibition.

Gallery artists are in the collections of, and have been part of exhibitions at, many museums around the world.

The second part of the exhibition consists of canvases you have selected from the museum's collections.

The first part of the exhibition gathers key large - scale works, each produced through a specific construction tactic — extraction, framing, obstruction, reinforcement.

Less familiar sites are also part of the exhibition.

The artist's Football Cloud forms part of the exhibition's fully playable crazy golf course, with each golf hole designed and made by a different contemporary artist.

Special live events such as poetry performances, concerts, lectures, or cooking sessions will form an integral part of the exhibition.

The sculpture is titled «Mothers» and was part of the exhibition with the same name.

The installation allows visitors to become part of the exhibition by putting their heads into miniature models of world famous art galleries.

The second part of the exhibition features medals recently commissioned especially for this exhibition from some of the world's leading contemporary artists.

A large part of the exhibition is devoted to artists associated with the gallery's success over its lifetime.

An important part of our exhibition programme is our continuing series of commissions for artists researching new thinking in the field of sculpture studies.

The second part of the exhibition entitled Yes I Can!

The last part of the exhibition explores the paintings of artists working in the complexity of the 20th century.

Black abstract patterns resembling cages, in various sizes and shapes, dominated the wall surfaces as the major part of this exhibition.

While the show traces the extensive incorporation of photography into contemporary art since the 1960s, a significant part of the exhibition will be dedicated to work created since 2001 by younger artists.

I wish I had the chance to see the other parts of the exhibition; if they were as thrilling as this one!

The central part of the exhibition is deeply political.

Parts of the exhibition seek to link the meanings of abstraction in art to the word's general usage — meaning an idea or theory that lacks concrete specificity.

The strongest parts of this exhibition are where the collections make you approach the artist's work in a new light.

A site visit is usually part of an exhibition planning: An artist visits a location regarding a prospective exhibition.

The old maps that show how often the borders have changed are the most interesting part of the exhibition.

They were part of an exhibition valued at over $ 14,000.

The second part of the exhibition analyzes the logic behind appropriation within the creative process.

If the one project not formally part of the exhibition fits quite well, cut them a break there, too.

What is here doesn't destroy a great reputation, but the latter part of the exhibition chips away at it — just a little.

One of the most notable parts of this exhibition is sound.

A key part of this exhibition will be ongoing conversations with the artists, but also with each other.

It will be shown as part of the exhibition.

It's the first part of an exhibition that is divided into two «acts».

The museum's permanent installations are also part of the exhibition.

Everybody who visits the exhibition is invited to make a drawing of the life model, and all the drawings will form part of the exhibition.

The two works / exercises are an integral part of the exhibition and can be used by visitors every day during the opening hours.

The finished drawings are then pinned to the surrounding gallery walls, becoming part of the exhibition.

Live painting with the artists from the society will be part of the exhibition programme.

The first two parts of the exhibition explore themes about war and humanity and aspects of spectacle and the leisure society.

The second part of the exhibition, on display in the last gallery, is entitled Us, the Residents.

In 2009, Lidén's work was presented as part of an exhibition in the Danish and Nordic Pavilions at the 53rd International Art Exhibition of the Venice Biennale and she received a special mention from the jury of the 54th Venice Biennale.

At 110 Milam Street as part of the exhibition series Window into Houston, video and sound components reinforce the work's uncanny aspects, as the black and white aesthetics of the video offer both a sense of timelessness and surveillance.

As part of the exhibition program of Fundación Casa Wabi, Tierra Vaga displays the work of Michel François (Brussels, 1956) and Harold Ancart (Brussels, 1980).

The expanded variant Bowls Balls Souls Holes (Hotel) was first exhibited as part of an exhibition on view at the Rose Art Museum from February 14 — June 8, 2014.

Solo exhibitions of JVB's watercolors, sculptural installations and live art have been presented by The New Museum as part of the exhibition titled Trigger: Gender as a Tool and a Weapon (NYC, 2017), Participant, Inc. (NYC, 2011, 2016), Art Market Provincetown (2014), and Vitrine (London, 2015).

While the first part of the exhibition focuses on local involvement and the story of modern art in Europe up to the Second World War, the later part deals with the huge shifts in society after 1950 and wider global influences that came into play.

The second part of the exhibition opens in August, Strands: Filipino and Filipino American Artists Encounter Textile, presents works by Filipino - American contemporary artists Cirilo Domine and Christine Morla, and Manila's Aze Ong, all of whom have been conceptually, spiritually, or formally inspired to use textiles as a starting point of inquiry.

Andrew Osborne, who is a PhD candidate at Goldsmiths and currently works at the Royal College of Art, has contributed to the catalogue essay Anthropsensory: The New Ethico - Aesthetic Paradigm, which forms an integral part of the exhibition material.

There's also English Magic, a new film work by Jeremy Deller, that forms a major part of his exhibition for the British Pavilion in 2013.

Work from the art gallery's rich permanent collection will also be on display as part of the exhibition including 20th century naked portraits from Stanley Spencer's painting of his second wife Nude, Portrait of Patricia Preece (1935) to John Coplan's photographic Self Portrait Upside Down (1992).

PlayTime features three tactile interactive works, including an immersive balloon room installation by Turner Prize winner Martin Creed and participatory One Minute Sculptures by internationally renowned artist Erwin Wurm which invite visitors to become part of the exhibition by striking and holding unexpected poses with everyday objects.

Gallery artist Sasha Bezzubov and Jessica Sucher will be giving an artist talk this weekend as part of their exhibition currently on view at Daniel Cooney Fine Art in New York.