Sentences with phrase «section of the film»

This is, more or less, a straightforward narrative - although the first section of the film is shot like a news documentary - which I thought was a particularly effective approach.

A pair of dynamic female characters also highlight the second section of the film.

In many ways, the last section of the film holds the only moments of real achievement.

Still, there was a relatively strong cross section of films taking home prizes.

Because space is empty in the third and fourth sections of the film.

It's harrowing and the most uncomfortable section of the film to watch.

Then there is the whole middle section of the film where Bana and his crew rip Europe apart as they look for the terrorists responsible for killing Israeli athletes at the 1972 Olympics.

Baumbach does get a bit heavy - headed in sections of the film discussing how ethics in media have changed from the baby boomers to generation X and jaggedly peaking with the millennials.

This middle section of the film concludes with a kind of slow - motion dance, as the six brothers sing about loneliness on the farm while listlessly doing their chores (the axe chops and wood saws of which provide rhythmic punctuation to the song, «Lonesome Polecat»).

The montage that makes up the first section of the film feels awkward also (and is in fact similar to The New World — it feels as if it had been cut down).

«There's a whole section of the film where T'Challa is out of the movie and you're just following the women.

As the last section of the film begins, it feels as if Godard has finally arrived at where he's always been headed.

That opening section of the film taps into a rich vein of culture - clash humor that dissipates as the film narrows its focus and becomes a duet, then finally a lonely one - man show.

Worse still, the final section of the film seems like it will never finish until, miraculously, it ends on an incredibly touching note.

My theory is that the entire early section of the film is another dream by Pullman.

Yet minimal dialogue means that large sections of the film play like classic silent cinema, owing more of a debt to Abel Gance's Napoleon (1927) than to Guy Hamilton's The Battle of Britain (1969).

The other section of the film features John Cusack as an older Wilson, as he attempts to escape the influence of a manipulative doctor (Paul Giamatti) who has become a totalitarian guru to him.

The center section of the film plays the comedy of the scenario for just about all that it's worth, and the playful tone of Tony's plan coming to fruition is a pleasant interlude between the tonally disparate sections on either side (As a reminder of the threat on the other side of the world, Affleck intercuts the read - through of the screenplay with a mock execution in the embassy basement).

Ramirez gained and lost 35 pounds for different sections of the film.

Using computer - based rotoscoping — an animation technique in which animators trace over footage for use in live - action and animated films — Hironaka & Suib layer sections of films together to create the foreground, middle, and background scenes.

To make matters worse, the first section of the film covers decades of Maleficent's life in what feels like an endless montage.

Graziano: We're both music fans and (Mates) had this song that really fit with this one section of the film about the kids from Tilden (High School) and we thought we'd ask.

Certain sections of the film were really laboured and overdone, and for me the highlight of the film was the main character's hilariously OTT facial expressions.

During a deft, seamless section of the film that depicts the setting up of this business operation, Oskar is seen happily occupying an apartment from which a wealthy Jewish couple has just been evicted.

The black - and - white sections of the film, which depict the build - up to the Bride's wedding, are also handled pretty well.

Monoliths link the primeval, futuristic, and mystical sections of the film.

The look of the film is visual ambrosia from start to finish, especially the Bespin section of the film.

The second section of the film finds Chiron (now played by Ashton Sanders) in high school where we find it has only gotten worse for him.

It is most unfortunate, then, that these moving and insightful interviews are intercut with footage taken with a helmet camera on a bicycle ride along a rocky mountain path — these point - of - view shots are supposed to convey meaning for Kedar, and yet they make whole sections of the film almost unwatchable.

The first section of the film establishes the relationships between Dinesen, the Spanish lieutenant Pittaluga, Inga, and Inga's Spanish soldier - lover Corto.

The Chicago section of the film goes on forever, until the grim suspicion grows that the intention here was to make a 2 1/2 - hour movie at any cost, even with only 90 minutes worth of material.

An extended period of falling action, the second section of the film hones in on the pockets of emptiness in Jesse Eisenberg's face, and an unrecognizable Dakota Fanning has her child - star innocence reintroduced in a dangerously inconvenient time for her character's comrades.

There's a particularly moving section of the film when Roland comes home briefly on leave and although not physically injured is clearly a very badly damaged young man.

The first section of the film sees the formation of a shambolic artistic collective, consisting of Paul and Stan (Hugo Conzelmann) as Paradise Garage - influenced DJ duo Cheers, their cartoonist friend Cyril (Roman Kolinka, looking like a young Alain Delon), Cyril's girlfriend Anaïs (Zita Hanrot), and later, music journo - slash - club night organiser Arnaud (Vincent Macaigne).

It also delivers some prolonged «dry periods» where jokes fizzle repeatedly, and sometimes unfunny sections of the film drag on mercilessly for minutes.

Cannes 2018: Sections of the film rank among the most accomplished displays of cinematic poetry since 2011's Palme d'Or winner «The Tree of Life»

Each of the three sections of the film essentially covers a variation of the same themes — dealing with prejudice, trying to find and maintain one's identity, struggling with love — but Szabó finds fresh and engaging ways to approach it each time.

The festival also announced its anticipated Midnight section of films, slasher - heavy this year with twists on the sex - driven teen horror genre.

There's also a wonderful cameo from the original Django, Franco Nero, his gruff yet commanding presence adding a level of gravitas to the Italian sections of the film that's delightful.

It took the protests at the May 1968 festival and the demands of festival critics like Jean - Luc Godard, Eric Rohmer and François Truffaut to not only close down the festival that year but create a parallel section of films — the directors» fortnight (Quinzaine des Réalisateurs) where the reputation for auteur film was established.

Variations on these questions arrive regularly in our e-mail in - boxes, and also constitute a major theme in the comments sections of film blogs and Web sites.

The special features section of the film starts off with an enjoyable full - length audio commentary with director Tim Story (only on the theatrical cut) and four deleted scenes showing off some of Jimmy Fallon's funnier scenes.

In the main section of the film, Plainview drills on the family farm belonging to the Sundays, with grown son Eli Sunday (Paul Dano) as the hell - and - brimstone preacher of the local church.

Black, who plays a drug - flummoxed hospital orderly, dominates the entire central section of a film which feels more like a collection of over-heard anecdotes than anything else, an odd record of an era's misconnections and failures - personal and touchingly wounded.

Can you think of an actor / director with the cross section of films like The Good the Bad and the Ugly, Any Which Way But Loose, The Bridges of Madison County, Bird and In The Line of Fire... and hes still going.

Irvine certainly leads the group, riding high on his notably beautiful relationship with his horse, but then we get characters like Toby Kebbell's soldier who occupies a mere section of the film, but is unforgettable thanks to what he accomplishes with the top - notch script he's working with.

Some of the imagery during the later sections of the film (especially a few nightmares brought to life) are quite striking in their design, and the film remains a feast for the eyes of any or all who take the 80 minutes to give it a watch.

Three new Jurassic World: Fallen Kingdom TV spots are out and present some extra adrenaline - packed sections of the film.